
Framed Silk Embroidery of Pheasants and Pine Tree
This appears to be a framed silk embroidery, likely of Asian origin, possibly Chinese or Japanese. The artwork depicts a lively scene with two pheasants, one male and one female, situated at the base of a gnarled pine tree with long, drooping needles. The male pheasant is particularly vibrant, exhibiting a rich palette of red, orange, yellow, green, and blue feathers, with prominent tail plumes. The female pheasant, to the left, is more subdued in coloring but still retains detailed plumage. Several vibrant pink and red peony-like flowers bloom around the pheasants, adding to the lushness of the composition. The background is a plain, light cream or beige tone, allowing the intricate embroidery work to stand out. The embroidery itself appears to be of fine quality, with meticulous stitching visible in the feathers, tree bark, and foliage, indicating skilled craftsmanship. There are vertical calligraphic characters in black ink in the upper left corner, likely a signature or poetic inscription. The artwork is enclosed within a simple, dark brown or black wooden frame, set behind glass. A white mat board separates the embroidery from the frame. No significant damage or wear is immediately apparent from the image, suggesting good preservation under glass. The colors seem well-preserved, not faded. The overall style is reminiscent of traditional East Asian bird-and-flower paintings, a genre that emphasizes nature's beauty and symbolic meaning.
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Estimated Value
$800-1,500
Basic Information
Category
Textile Art
Appraised On
September 7, 2025
Estimated Value
$800-1,500
Item Description
This appears to be a framed silk embroidery, likely of Asian origin, possibly Chinese or Japanese. The artwork depicts a lively scene with two pheasants, one male and one female, situated at the base of a gnarled pine tree with long, drooping needles. The male pheasant is particularly vibrant, exhibiting a rich palette of red, orange, yellow, green, and blue feathers, with prominent tail plumes. The female pheasant, to the left, is more subdued in coloring but still retains detailed plumage. Several vibrant pink and red peony-like flowers bloom around the pheasants, adding to the lushness of the composition. The background is a plain, light cream or beige tone, allowing the intricate embroidery work to stand out. The embroidery itself appears to be of fine quality, with meticulous stitching visible in the feathers, tree bark, and foliage, indicating skilled craftsmanship. There are vertical calligraphic characters in black ink in the upper left corner, likely a signature or poetic inscription. The artwork is enclosed within a simple, dark brown or black wooden frame, set behind glass. A white mat board separates the embroidery from the frame. No significant damage or wear is immediately apparent from the image, suggesting good preservation under glass. The colors seem well-preserved, not faded. The overall style is reminiscent of traditional East Asian bird-and-flower paintings, a genre that emphasizes nature's beauty and symbolic meaning.
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