
White Marble Reclining Female Nude attributed to Francesco Pozzi
This item is a 19th-century Neo-Classical white marble sculpture depicting a reclining female figure, attributed to the Italian sculptor Francesco Pozzi (1790–1844). Carved from fine-grained white Carrara-type marble, the figure is rendered in a naturalistic yet idealized form, resting in a relaxed, horizontal pose characteristic of Italian Romanticism. The anatomy shows soft modeling with attention to the gentle curves of the torso and limbs, evoking the style of Canova or Bartolini. The surface exhibits a smooth, polished finish that captures the translucency of the stone. Regarding condition, the marble shows a light surface patina consistent with age, though the image quality makes it difficult to detect minor abrasions or professional restorations. There are no immediately visible cracks, but marble of this age typically shows some weathering or 'sugaring' to the edges. Pozzi was well-known for his portrait busts and mythological subjects, and this piece demonstrates the high-quality craftsmanship and delicate treatment of fine stone associated with his Florentine workshop. The sculpture sits atop a simple dark base, likely added later for display. Its aesthetic appeal lies in the fluid lines and the elegant, tranquil posture of the subject matter.
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Estimated Value
$15,000 - $25,000
Basic Information
Category
Fine Art - Sculpture
Appraised On
February 14, 2026
Estimated Value
$15,000 - $25,000
Additional Details Provided By Owner
User Provided Information
sculpture marbre de F Pozzi
Item Description
This item is a 19th-century Neo-Classical white marble sculpture depicting a reclining female figure, attributed to the Italian sculptor Francesco Pozzi (1790–1844). Carved from fine-grained white Carrara-type marble, the figure is rendered in a naturalistic yet idealized form, resting in a relaxed, horizontal pose characteristic of Italian Romanticism. The anatomy shows soft modeling with attention to the gentle curves of the torso and limbs, evoking the style of Canova or Bartolini. The surface exhibits a smooth, polished finish that captures the translucency of the stone. Regarding condition, the marble shows a light surface patina consistent with age, though the image quality makes it difficult to detect minor abrasions or professional restorations. There are no immediately visible cracks, but marble of this age typically shows some weathering or 'sugaring' to the edges. Pozzi was well-known for his portrait busts and mythological subjects, and this piece demonstrates the high-quality craftsmanship and delicate treatment of fine stone associated with his Florentine workshop. The sculpture sits atop a simple dark base, likely added later for display. Its aesthetic appeal lies in the fluid lines and the elegant, tranquil posture of the subject matter.
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