Le Chapeau Épingle (The Pinned Hat) by Pierre-Auguste Renoir
Fine Art - Prints & Multiples

Le Chapeau Épingle (The Pinned Hat) by Pierre-Auguste Renoir

This item is an etching on paper, identified as 'Le Chapeau Épingle' (The Pinned Hat), a renowned composition by the French Impressionist master Pierre-Auguste Renoir, executed circa 1894. The artwork depicts two young girls, commonly identified as Berthe Morisot's daughter Julie Manet and her cousin, focused on pinning a flower onto a wide-brimmed straw hat. Physically, the piece is a monochrome intaglio print featuring delicate, swirling line work characteristic of Renoir’s late 19th-century style. The technical execution shows a masterful use of cross-hatching and curvilinear strokes to create volume in the figures and the textures of the floral decorations on the hats. The etching appears to be printed on a cream-toned wove or laid paper, which is a standard material for late 19th or early 20th-century pulls. Regarding condition, there is visible plate tone and some minor foxing or light staining consistent with age. The plate mark is faint but visible, and there appears to be a stamped or etched signature 'Renoir' in the lower left margin, though its authenticity as a hand-signature versus an in-plate signature requires physical inspection. The craftsmanship is high-quality, reflecting the soft, light-filled atmosphere of Impressionism translated through the medium of graphic arts. Given the subject and style, this is likely a later state or a posthumous edition printed from the original plate, which were common during the mid-20th century.

Estimated Value

$1,500 - $2,500

Basic Information

Category

Fine Art - Prints & Multiples

Appraised On

February 14, 2026

Estimated Value

$1,500 - $2,500

Item Description

This item is an etching on paper, identified as 'Le Chapeau Épingle' (The Pinned Hat), a renowned composition by the French Impressionist master Pierre-Auguste Renoir, executed circa 1894. The artwork depicts two young girls, commonly identified as Berthe Morisot's daughter Julie Manet and her cousin, focused on pinning a flower onto a wide-brimmed straw hat. Physically, the piece is a monochrome intaglio print featuring delicate, swirling line work characteristic of Renoir’s late 19th-century style. The technical execution shows a masterful use of cross-hatching and curvilinear strokes to create volume in the figures and the textures of the floral decorations on the hats. The etching appears to be printed on a cream-toned wove or laid paper, which is a standard material for late 19th or early 20th-century pulls. Regarding condition, there is visible plate tone and some minor foxing or light staining consistent with age. The plate mark is faint but visible, and there appears to be a stamped or etched signature 'Renoir' in the lower left margin, though its authenticity as a hand-signature versus an in-plate signature requires physical inspection. The craftsmanship is high-quality, reflecting the soft, light-filled atmosphere of Impressionism translated through the medium of graphic arts. Given the subject and style, this is likely a later state or a posthumous edition printed from the original plate, which were common during the mid-20th century.

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