Framed architectural cityscape print in the style of Frederick Mershimer

A framed, vertical-orientation print depicting the Flatiron Building in New York City at night. The work features a warm, glowing color palette against a dark sky, prominently showcasing yellow taxis in the foreground and detailed architectural silhouettes. The piece appears to be a mezzotint or high-quality lithographic print, characterized by fine tonal gradations. It is matted in white and housed in a dark, simple rectangular frame. The lower margin of the paper bears graphite inscriptions. On the left, it is numbered '76/120' and titled 'Destinations'. On the right, it bears a signature that appears consistent with 'Frederick Mershimer' followed by the date '97'. The user-supplied attribution to Mershimer and the limited edition numbering are consistent with the visible markings, though these cannot be verified as authentic without physical inspection of the paper and ink. The print shows no obvious fading or foxing in the image, though there is a visible reflection in the glass from the surrounding room. The craftsmanship of the print suggests a professional artist's edition, as indicated by the precise linework and atmospheric lighting effects.

Based on the provided imagery, I have examined this framed vertical print depicting the Flatiron Building. The user-supplied identification attributes the work to Frederick Mershimer, noting a limited edition of 76/120 and a date of '97'. The work bears a signature and inscriptions consistent with these details. From what I can see, the piece displays the rich tonal depth characteristic of a mezzotint, a medium frequently associated with the attributed artist's nocturne cityscapes. While the atmospheric lighting and fine detail are consistent with a professional artist's edition, I cannot verify the signature or the printing method solely from a photograph. Physical inspection would be necessary to confirm the ink-to-paper relationship and ensure it is not a high-quality reproduction. The valuation assumes the work is a legitimate 1997 edition by Mershimer. In the current market, his urban mezzotints are generally sought after for their technical precision and moody lighting. A range of $450 - $750 reflects typical market interest for mid-sized editions in seemingly good condition with professional framing. This estimate is contingent on the assumption that the signature and edition are legitimate. If the work were determined to be a later offset lithographic reproduction or a poster-style print lacking the artist's hand-signed credentials, the value would likely fall below $50 - $100. To establish the identity of the work with greater confidence, one would need to examine the paper for watermarks, inspect the 'plate mark' indentation under magnification, and review any available provenance documentation. The current lack of foxing or fading is a positive factor, though UV-protective glazing cannot be confirmed without testing.