Coastal landscape painting in the mid-century impasto style

This appears to be a landscape painting, likely oil or acrylic on canvas, depicting a lighthouse standing atop a grassy dune against a moody, overcast sky. The work utilizes a heavy impasto technique, visible in the textured application of paint to create the foam of the waves and the scrubby dune vegetation. The artist's palette consists of muted greens, browns, and ochre, contrasted with a bright yellow light emanating from the lighthouse lantern. The painting is housed in a large, ornate frame with a wash finish that appears to be made of molded plaster or wood with a linen-covered liner. The frame features decorative corner and side flourishes in a baroque-influenced style. There is a visible scuff or chip in the frame's finish on the right side, revealing a brown under-layer. No artist signature is clearly discernible in the provided photograph, making this a work of unknown origin at this time. The overall aesthetic is stylistically consistent with decorative commercial art or hobbyist paintings common in the mid-to-late 20th century. A price tag and QR code are visible on the front of the canvas, suggesting it is currently in a retail or second-hand commercial setting.

I have examined the digital image of the coastal landscape painting. Based on what I can see, the work is a mid-to-late 20th-century decorative piece utilizing heavy impasto techniques. I cannot verify from a photo the specific medium or the existence of a hidden signature under the frame or liner; however, the lack of a discernible signature suggests this likely falls into the category of commercial or hobbyist art rather than a high-value fine art piece. The palette and style are consistent with typical mass-market decor produced for the retail market during the 1960s-1980s. The value estimate is based on the decorative appeal and the presence of a large, ornate frame, which adds significant visual presence despite the visible scuffing on the right side. In the current secondary market, there is steady demand for large mid-century seascapes as interior design elements, but they do not typically command premium fine art prices unless a specific listed artist is identified. This estimate assumes the item is an unattributed decorative work; should a physical inspection and provenance documentation find it to be by a noted regional artist, the value could increase. Conversely, if the frame is found to have significant structural instability or if the paint layer shows signs of delamination not visible here, the value would trend toward the lower end of the range. To refine this valuation, an in-person examination by a conservator would be needed to check for artist markings and determine the stability of the impasto layers.