Urban/Cityscape Painting by Michael Target
Painting/Mixed Media Art

Urban/Cityscape Painting by Michael Target

This appears to be a framed painting or mixed media artwork by Michael Target, given the 'Additional context'. The piece depicts an urban or cityscape scene at what appears to be dusk or night, characterized by a vibrant reddish-pink sky with subtle white speckles resembling stars or distant lights. The buildings dominating the mid-ground are rendered in a distinctly textured, almost impasto style, with thick layers of yellow, brown, and grey paint suggesting worn facades and numerous windows. The windows themselves are simplistic, rectangular shapes, some with cross-hatched details. The overall construction of the buildings appears somewhat abstract and non-linear, contributing to a folk art or outsider art aesthetic. In the foreground, there's a dark grey street or pathway with scattered yellow markings, possibly representing discarded items or painted lines. The lower part of the buildings features a textured grey 'sidewalk' area. Various abstract shapes and colors, including purples, blues, and light greens, are visible near the base of the buildings, adding visual interest and suggesting debris or graffiti. One notable feature is a brightly lit, yellow-orange element in the lower center, possibly a fire or a stylized plant, emanating light that reflects on the ground. The painting is framed with a prominent dark reddish-maroon matboard and a sleek, black wooden or composite frame. The matboard shows no visible damage, and the frame appears structurally sound with no major nicks or scratches discernible from the image. The impasto technique creates a three-dimensional quality, and the colors are vivid and well-preserved. There are no obvious signs of significant paint loss or cracking, suggesting good condition for its medium. The 'signed with COA' context indicates the artist's authentication, which is a critical detail for provenance. Given the visible brushwork and textural application, the piece likely uses acrylic or oil paints, potentially combined with other media for the varied textures. The style suggests a contemporary period, likely late 20th or early 21st century.

Estimated Value

$600 - $900

Basic Information

Category

Painting/Mixed Media Art

Appraised On

August 28, 2025

Estimated Value

$600 - $900

Additional Details Provided By Owner

User Provided Information

Michael Target, signed with COA

Item Description

This appears to be a framed painting or mixed media artwork by Michael Target, given the 'Additional context'. The piece depicts an urban or cityscape scene at what appears to be dusk or night, characterized by a vibrant reddish-pink sky with subtle white speckles resembling stars or distant lights. The buildings dominating the mid-ground are rendered in a distinctly textured, almost impasto style, with thick layers of yellow, brown, and grey paint suggesting worn facades and numerous windows. The windows themselves are simplistic, rectangular shapes, some with cross-hatched details. The overall construction of the buildings appears somewhat abstract and non-linear, contributing to a folk art or outsider art aesthetic. In the foreground, there's a dark grey street or pathway with scattered yellow markings, possibly representing discarded items or painted lines. The lower part of the buildings features a textured grey 'sidewalk' area. Various abstract shapes and colors, including purples, blues, and light greens, are visible near the base of the buildings, adding visual interest and suggesting debris or graffiti. One notable feature is a brightly lit, yellow-orange element in the lower center, possibly a fire or a stylized plant, emanating light that reflects on the ground. The painting is framed with a prominent dark reddish-maroon matboard and a sleek, black wooden or composite frame. The matboard shows no visible damage, and the frame appears structurally sound with no major nicks or scratches discernible from the image. The impasto technique creates a three-dimensional quality, and the colors are vivid and well-preserved. There are no obvious signs of significant paint loss or cracking, suggesting good condition for its medium. The 'signed with COA' context indicates the artist's authentication, which is a critical detail for provenance. Given the visible brushwork and textural application, the piece likely uses acrylic or oil paints, potentially combined with other media for the varied textures. The style suggests a contemporary period, likely late 20th or early 21st century.

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