AI identification & appraisal estimate

Anne Rice's The Witching Hour #2 (Millennium/Comico)

Submitted photo of Anne Rice's The Witching Hour #2 (Millennium/Comico)
Photo submitted by the user — not generated by AI

User's notes

Comic

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$10.00 - $25.00

AI estimate as of January 7, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This is a physical copy of 'Anne Rice's The Witching Hour' issue number 2, published around 1993. The comic features a vibrant painted cover illustration by John Bolton, depicting a dramatic underwater scene with a central male figure reaching upward toward light, surrounded by three ethereal female figures with long flowing blonde hair. The cover art is characteristic of the Gothic horror aesthetic popular in the early 1990s. The 'Millennium' and 'Comico' logos are visible in the upper-left corner, alongside a price of $2.50. The title text is rendered in a bold, serif yellow font against a deep blue and purple background. Regarding its physical condition, the comic appears to be professionally bagged and boarded, which has helped preserve its structure. The spine appears relatively straight, though there is visible light reflecting off the plastic, making a definitive grade difficult. The colors remain saturated and have not suffered from significant UV bleaching. There are minor signs of handling such as potential 'color breaks' or tiny stress lines along the spine edge common with age. The paper quality for this era transition from newsprint to higher-grade glossy stock, which appears to have maintained its integrity without significant yellowing visible from the cover edges.

AI Appraisal Report

I have examined the visual details of Anne Rice's The Witching Hour #2, published in 1993 by Millennium/Comico. The comic showcases vibrant colors and high-grade glossy stock preservation, featuring the iconic John Bolton cover art. Based on the provided imagery, the specimen appears to be in an 'Estimated Fine/Very Fine' (7.0 to 8.5) condition. The spine shows minor stress lines and color breaks common for this era, but the corners remain relatively sharp, and the bagging and boarding have prevented significant atmospheric degradation. Authenticity is supported by the correct logo placements and period-specific pricing ($2.50). The market for 1990s literary adaptations is specialized; while Anne Rice's intellectual property maintains a dedicated cult following due to recent television revivals, these specific issues were printed in relatively high volume compared to modern 'indie' comics. Current market comparables for uncertified copies typically fluctuate between $8 and $15 for standard reading copies, while high-grade (NM) copies can occasionally reach $25-30. Value is limited by the lack of third-party grading (CGC/CBCS). A definitive valuation would require an in-person physical inspection to assess page quality (interior tanning), hidden spine splits, or 'subscription creases' not visible through the plastic sleeve. For full authentication, I would need to verify the interior printing dates and check for any restorative efforts like color touches or adhesive repairs that are often invisible in photographs. Without a professional grade, the value remains tied to 'raw' collector demand.

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