Framed intaglio print in the style of Hugo David Hergel

This item is a small-scale, monochrome intaglio print, featuring a street scene with buildings, utility poles, and wires against a background of hills or mountains. The artwork is rendered in blue-black ink on white paper, showing fine lines and plate tone characteristic of an etching or engraving. Below the image, there are handwritten graphite markings: on the left, it appear to read "Junes 4/50" (or possibly a similar title and edition number), and on the right, it bears a signature that appears consistent with 'Hugo David Hergel' followed by '/100'. The work is housed in a deep, off-white or cream-colored mat with a visible bevel and is protected by glass in a contemporary gold-leaf-style wood frame. The frame shows a subtle texture and slight wear on the edges. The print exhibits what appears to be a plate mark, suggesting traditional press production. The composition is stylistically consistent with early-to-mid 20th-century European printmaking. Without physical inspection, the authenticity of the signature and the specific printing date cannot be established, as signatures can be reproduced or signed posthumously.

I have examined the image provided of this framed monochrome intaglio print. Based on what I can see, the work bears a signature and edition markings consistent with the hand of Hugo David Hergel; however, I cannot verify the authenticity of these markings or the age of the paper from a photograph alone. The presence of a visible plate mark and subtle plate tone suggests a traditional printmaking process, likely an etching or engraving. The composition and style align with mid-20th-century European graphic arts. My valuation assumes the signature is contemporary to the printing and executed by the artist's hand. In the current market for prints of this type, works by Hergel typically command modest interest among collectors of regional European landscapes. The final value is influenced by the attractive contemporary framing and the limited edition numbering ('4/50'), assuming these are accurate. I cannot determine if the ink is lightfast or if there is acid damage behind the matting without an in-person inspection. To confirm the value, a physical examination would be required to verify paper fibers, watermark, and the spontaneity of the graphite signature. If this piece were found to be a posthumous restrike or a photomechanical reproduction, the value would likely decrease to a decorative range of $40-$75. Conversely, documentation regarding provenance or previous gallery sales would support the higher end of the current estimate. The market for mid-century etchings remains stable but selective, with value heavily dependent on the condition of the paper and the verification of the edition.