Framed print titled 'Queen Street 1867' signed 'Bruce Mohr'

This is a framed color print depicting a historical street scene titled 'Queen Street 1867' at the bottom center and signed 'Bruce Mohr' at the lower right. The artwork shows a rustic 19th-century settlement or frontier town featuring wooden buildings including a 'Saddler & Harness Maker' shop and a 'General Store' type establishment, a dirt road with ox-drawn wagons, various pedestrians in period attire, and domestic fowl in the foreground. The palette relies on soft watercolor-like washes of blues, pinks, greens, and browns. The print is matted in cream-colored cardstock with a thin black inner border and housed within a traditional ornate wooden and gold-toned frame. The physical condition appears generally clean and well-preserved under glass, though the unverified nature of the print medium suggests it is likely a reproduction rather than an original hand-painted watercolor. The identification rests strictly on the legible printed title and visible signature in the lower margin of the image.

Based on the provided image, I have examined this framed color print titled 'Queen Street 1867', which bears a signature reading 'Bruce Mohr'. I can see it depicts a rustic 19th-century settlement with soft watercolor-like washes, housed in a traditional frame. However, from a photograph, I cannot verify the exact printing method or physically inspect the paper and pigments. I am treating the attribution to Bruce Mohr as a working assumption based on the visible signature and title. The value provided assumes this attribution holds true, though I must stress that this piece is not evaluated in person and its status remains an assumption. An in-person examination would be needed to assess the printing technique and evaluate the signature. Decorative historical prints of regional scenes generally hold modest interest in the secondary market, appealing mostly to local history enthusiasts or those seeking traditional decor. The primary value here rests in its decorative utility and the included frame. If this were a simple mass-produced decorative copy without any artist standing, the value would likely fall to the lower end of the range, largely for the frame itself.