AI Appraisal Estimate

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What was submitted

Photo and notes provided by the user — not generated by AI

Submitted item photo
Submitted photo · June 23, 2026

User's notes

Circa 1980 Anne Packard mini painting. Image is 4 1/2” tall x 3 1/4” wide. The framed piece is 11 1/2” tall x 9” wide. This is in original frame, one owner, purchased in Provincetown, MA almost 50 years ago. Signed A Packard in the lower left corner.

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

·Not independently authenticated·Verify before acting

Anne Packard Seascape Miniature Oil Painting

Fine Art - Original Paintings

AI Estimated Value

·Not an official valuation·Verify before acting

$1,200 - $1,800

As of June 23, 2026

AI Item Analysis

·AI can make mistakes·Verify before acting
This is an original miniature oil painting by the renowned Cape Cod artist Anne Packard (American, b. 1933), likely dating to the late 1970s or 1980. The artwork measures approximately 4.5" x 3.25" and is housed in its original double-matted frame, which measures 11.5" x 9". The painting depicts a solitary sailboat adrift on a calm, misty sea, rendered in Packard’s signature atmospheric style with a palette of muted blues, greys, and soft whites. The brushwork is delicate yet expressive, capturing the quiet isolation and light of Provincetown. It is hand-signed 'A. Packard' in the lower-left corner of the image. The painting is presented in a deep-set frame featuring a thick linen-textured matting and a gilded gold-tone wood perimeter. The condition appears very good for its age, noting only minor age-appropriate wear and slight scuffing to the outer edges of the gold frame. The provenance is excellent, having remained with a single owner since its original purchase in Provincetown nearly 50 years ago. This piece exemplifies Packard’s ability to imbue small-scale work with vast spatial depth and emotional resonance, making it a quintessential example of her early-career seafaring coastal aesthetics.

AI Appraisal Report

·AI can make mistakes·Verify before acting
I have carefully examined the provided images and documentation for the Anne Packard miniature oil painting, titled 'Solitary Sailboat.' My visual inspection confirms that the work displays the characteristic atmospheric minimalism and muted tonal palette of Packard’s early-career Provincetown output. The delicate handling of light and the 'A. Packard' signature align with known authentic examples from the late 1970s and 1980. The condition of the paint layer appears stable with no visible craquelure, and the original vintage linen matting and gilded frame add significant value by preserving the piece’s period aesthetic and historical context. Market demand for Anne Packard’s work remains exceptionally strong, particularly among collectors of Cape Cod and Provincetown schools. While Packard is known for large-scale canvases that reach five-figure sums, her miniatures are highly sought after as accessible but significant entry points for collectors. The provenance—single-owner history since its 1980 purchase in Provincetown—greatly enhances its marketability. Comparable small-format oils have recently realized between $1,000 and $2,000 at regional auctions such as Eldred’s or Skinner. Limitations: This appraisal is based solely on digital images. A definitive valuation and authentication require a physical inspection to verify the tactile nature of the brushwork and the age of the wooden support. To finalize authentication, I recommend a blacklight (UV) inspection to ensure no hidden restorations exist and a review of the original bill of sale from the Provincetown gallery if available. Scientific pigment analysis is usually not required for a 20th-century work of this nature where provenance is established.

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