
Chinese Porcelain Famille Rose Budai (Laughing Buddha) with Five Children
This is a polychrome porcelain hollow-cast figurine of Budai, the 'Laughing Buddha,' traditionally depicted with several children (known as the Hundred Children motif) crawling over his body. The figure is hand-painted in the Famille Rose style, characterized by a palette of soft pastel enamels including pinks, greens, and yellows. The primary figure is shown reclining, bare-chested, wearing a robe decorated with delicate floral patterns and geometric borders. The five children represent blessings of fertility and family longevity. The bottom of the piece features a circular vent hole common in kiln-fired porcelain to prevent cracking, and a distinctive square red four-character maker's mark or seal, likely indicating a 20th-century Republic period or early People's Republic production (circa 1920-1960). The glaze appears glossy with some minor surface accumulation and dust consistent with age. There are no major visible cracks or chips from this angle, though the light-colored base shows slight shelf wear. The craftsmanship demonstrates high-quality mold work with detailed hand-painted overglaze enamels.
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Estimated Value
$450 - $700
Basic Information
Category
Asian Antiques & Collectibles
Appraised On
April 9, 2026
Estimated Value
$450 - $700
Item Description
This is a polychrome porcelain hollow-cast figurine of Budai, the 'Laughing Buddha,' traditionally depicted with several children (known as the Hundred Children motif) crawling over his body. The figure is hand-painted in the Famille Rose style, characterized by a palette of soft pastel enamels including pinks, greens, and yellows. The primary figure is shown reclining, bare-chested, wearing a robe decorated with delicate floral patterns and geometric borders. The five children represent blessings of fertility and family longevity. The bottom of the piece features a circular vent hole common in kiln-fired porcelain to prevent cracking, and a distinctive square red four-character maker's mark or seal, likely indicating a 20th-century Republic period or early People's Republic production (circa 1920-1960). The glaze appears glossy with some minor surface accumulation and dust consistent with age. There are no major visible cracks or chips from this angle, though the light-colored base shows slight shelf wear. The craftsmanship demonstrates high-quality mold work with detailed hand-painted overglaze enamels.
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