Lithograph signed 'John Wilson'

This is a black-and-white print depicting a male laborer wearing a wide-brimmed hat and overalls, intently focused on working with a block of stone or masonry using a trowel and square. The imagery is rendered using dense stippling, hatching, and cross-hatching techniques to create rich tonal gradations and deep shadows, emphasizing the sculptural, muscular forms of the figure and his hands. The background features architectural scaffolding and structural ironwork elements rendered in a geometric, social realist style. In the lower left corner beneath the printed image area, there is a pencil inscription reading '6/30' and a title reading 'Trabajador', accompanied by a signature reading 'Wilson'. In the lower right corner, there is a signature and date reading 'John Wilson '51'. The print is on an off-white wove paper sheet with standard margins, showing some light overall toning and minor edge wear consistent with mid-20th-century works on paper. The attribution rests on the pencil signatures and inscriptions visible at the lower margins, though the print remains unauthenticated in terms of its absolute publisher provenance or paper stock origin. The stylistic approach is characteristic of mid-century socially conscious printmaking, focusing on dignity in labor.

Based on what I can see in the provided image, this black-and-white print bears visual characteristics, inscriptions including '6/30' and 'Trabajador', and signatures reading 'Wilson' and 'John Wilson '51' that are consistent with mid-20th-century socially conscious printmaking. The stippling, hatching, and overall aesthetic align stylistically with the known working methods of artist John Wilson from that period. However, I can't verify from a photo alone whether the paper stock, ink application, and signatures are period-correct or autograph. I would need physical inspection to confirm the medium, paper characteristics, and overall condition. Assuming the attribution is correct and the print is a period-autograph impression by John Wilson, comparable mid-century fine art prints of this type typically trade in the $2,500 to $4,000 range, driven by collector demand for socially realist works emphasizing dignity in labor. To confirm authenticity and solidify value, this piece would require in-person examination by a qualified paper conservator, expert art appraiser, or catalogue raisonne specialist, alongside provenance documentation. If physical inspection were to reveal that this piece is a later reproduction, modern facsimile, or a posthumous copy rather than an autograph period impression, the market value would drop significantly, likely falling into the $100 to $300 decorative print range.