Relation in Time (1977) by Marina Abramović and Ulay
Fine Art Photography / Performance Art Documentation

Relation in Time (1977) by Marina Abramović and Ulay

This item is a large-format photographic print documenting the performance 'Relation in Time' (1977) by the renowned artistic duo Marina Abramović and Ulay. The image features a symmetrical, mirrored composition of the performers, showcasing their bodies in arched, backbend-like poses within a minimalist architectural space characterized by warm sepia and ochre tones. The print appears to be oriented on heavy-weight paper or canvas, currently unframed and displayed flat over brown kraft paper. Physically, the piece demonstrates high-contrast shadows and a reflective floor surface that adds depth to the performance space. There are visible undulating ripples in the paper substrate, suggesting a lack of mounting, which is common for larger prints. The condition seems generally good, though the edges and corners require careful handling to prevent creasing. Given the provided context of the artists, this work represents a pivotal moment in 20th-century performance art history. Authentic prints of this series are typically part of a limited edition, often signed or numbered on the verso or margin, and are considered highly significant in the contemporary art market. The craftsmanship is evident in the professional lighting and the balanced geometric composition that characterizes Ulay and Abramović’s documentation style from the late 1970s.

Estimated Value

$45,000 - $65,000

Basic Information

Category

Fine Art Photography / Performance Art Documentation

Appraised On

January 17, 2026

Estimated Value

$45,000 - $65,000

Additional Details Provided By Owner

User Provided Information

By marina abrahamovic and ulay

Item Description

This item is a large-format photographic print documenting the performance 'Relation in Time' (1977) by the renowned artistic duo Marina Abramović and Ulay. The image features a symmetrical, mirrored composition of the performers, showcasing their bodies in arched, backbend-like poses within a minimalist architectural space characterized by warm sepia and ochre tones. The print appears to be oriented on heavy-weight paper or canvas, currently unframed and displayed flat over brown kraft paper. Physically, the piece demonstrates high-contrast shadows and a reflective floor surface that adds depth to the performance space. There are visible undulating ripples in the paper substrate, suggesting a lack of mounting, which is common for larger prints. The condition seems generally good, though the edges and corners require careful handling to prevent creasing. Given the provided context of the artists, this work represents a pivotal moment in 20th-century performance art history. Authentic prints of this series are typically part of a limited edition, often signed or numbered on the verso or margin, and are considered highly significant in the contemporary art market. The craftsmanship is evident in the professional lighting and the balanced geometric composition that characterizes Ulay and Abramović’s documentation style from the late 1970s.

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