Wildlife art print bearing the signature of Charles Fracé

This item is a photorealistic wildlife art print on paper, depicting a zebra foal resting on a patch of grassy, sandy earth. The subject is executed with high detail, particularly in the rendering of the fur, mane, and surrounding natural textures. In the left margin (viewer's orientation), the text 'Zebra Foal' is printed alongside the scientific name 'Equus burchelli'. Further text indicates this may be 'Plate XIII'. The image bears a handwritten-style signature in the upper left corner of the artwork field that reads 'Charles Fracé', followed by '© Frame House Gallery 1974'. The owner identifies this as being signed by Charles Fracé, though this attribution remains a hypothesis subject to in-person verification, as signatures and gallery marks can be reproduced in the printing process. The print appears to be in fair condition, though there is a visible vertical crease or fold line running through the center of the image. The paper shows a wide white border, typical of commercial lithographic prints from the mid-to-late 20th century. The colors appear muted and naturalistic, consistent with the artist's known style of wildlife illustration.

Based on the provided image, this wildlife art print is consistent with the lithographic style associated with Charles Fracé and the Frame House Gallery. The user identifies this as signed by Charles Fracé, and I can see a signature in the upper left corner corresponding to that name; however, I cannot verify from a photo whether the signature is hand-signed in graphite or part of the printed image. This distinction is critical for valuation. The print shows a visible vertical crease through the center, which significantly diminishes its marketability and value for collectors of wildlife art. My estimate assumes the attribution provided by the user is correct and that the print is an offset lithograph from the 1970s. Market interest for mid-century wildlife prints remains stable but niche, with higher values reserved for pristine, hand-signed limited editions. Given the observable condition issues and the unverified nature of the signature, the value is modest. Should the signature be a mechanical reproduction or if the plate is found to be a common open-edition decorative reprint, the value would likely fall below $20. Conversely, if physical inspection proves the signature is an original pencil autograph and the crease can be professionally mitigated, the value might reach the higher end of the range. To confirm this hypothesis, an in-person examination by a paper conservator or a specialist in 20th-century prints would be required to verify the signature medium and the paper’s integrity.