
Vendedora de Alcatraces (The Calla Lily Vendor) Reproduction
This is a framed color reproduction of Diego Rivera's famous 1941 masterpiece, 'Vendedora de Alcatraces' (The Calla Lily Vendor). The image depicts a female figure from behind, kneeling before a massive, overflowing basket of white calla lilies. The composition is characterized by vibrant yellow, green, and white tones, reflecting Rivera's signature Social Realist style and Mexican Muralism influence. The figure is rendered with smooth, sculptural curves, emphasizing a monumental quality. The artwork is housed in a simple, dark wood bevel-edge frame with a prominent tan-colored mat and a thin pink inner border. The print appears to be on paper behind a reflective surface, likely glass. There is a visible glare on the central-left portion of the image from an external light source. Regarding condition, the frame shows minor wear consistent with display, while the print colors remain saturated; however, long-term light exposure could affect the integrity of the dyes if not UV-protected. The lack of an original signature or oil Impasto suggests this is a commercial lithograph or digital print rather than an original painting. The style of the matting and frame suggests a late 20th-century assembly.
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Estimated Value
$45.00 - $85.00
Basic Information
Category
Fine Art Prints
Appraised On
April 6, 2026
Estimated Value
$45.00 - $85.00
Item Description
This is a framed color reproduction of Diego Rivera's famous 1941 masterpiece, 'Vendedora de Alcatraces' (The Calla Lily Vendor). The image depicts a female figure from behind, kneeling before a massive, overflowing basket of white calla lilies. The composition is characterized by vibrant yellow, green, and white tones, reflecting Rivera's signature Social Realist style and Mexican Muralism influence. The figure is rendered with smooth, sculptural curves, emphasizing a monumental quality. The artwork is housed in a simple, dark wood bevel-edge frame with a prominent tan-colored mat and a thin pink inner border. The print appears to be on paper behind a reflective surface, likely glass. There is a visible glare on the central-left portion of the image from an external light source. Regarding condition, the frame shows minor wear consistent with display, while the print colors remain saturated; however, long-term light exposure could affect the integrity of the dyes if not UV-protected. The lack of an original signature or oil Impasto suggests this is a commercial lithograph or digital print rather than an original painting. The style of the matting and frame suggests a late 20th-century assembly.
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