
Framed Portrait of Huli Wigmen of Papua New Guinea
This is a detailed, realistic artwork depicting two indigenous men from the Huli tribe of Papua New Guinea, commonly known as Huli Wigmen. The piece is rendered on heavy-weight artist paper with deckled edges, suggesting the use of watercolor, gouache, or high-quality colored pencils. The figures are shown in traditional ceremonial dress; the man on the left is holding a kundru drum. Their elaborate headdresses are composed of human hair, decorated with feathers from the bird of paradise and other tropical birds. Their faces are painted in vibrant traditional yellow clay (ambua) with accents of red and white. They are adorned with large layered necklaces made of shells and beads, which show significant detail in the light and shadow work. The application of pigment implies high skill, particularly in the rendering of muscular definition, the reflective sheen on the skin, and the intricate textures of the fur and feathers. The artwork is professionally matted in black and housed within a contemporary wood frame with a reddish-brown cherry or mahogany finish. There is a signature in red in the lower right corner, though the artist is not immediately identifiable without further provenance. The condition appears excellent with no visible foxing, fading, or moisture damage to the paper. The frame and glazing are intact with minimal surface wear.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Fine Art - Contemporary Realist Painting
Appraised On
January 1, 2026
Estimated Value
$1,200 - $1,800
Item Description
This is a detailed, realistic artwork depicting two indigenous men from the Huli tribe of Papua New Guinea, commonly known as Huli Wigmen. The piece is rendered on heavy-weight artist paper with deckled edges, suggesting the use of watercolor, gouache, or high-quality colored pencils. The figures are shown in traditional ceremonial dress; the man on the left is holding a kundru drum. Their elaborate headdresses are composed of human hair, decorated with feathers from the bird of paradise and other tropical birds. Their faces are painted in vibrant traditional yellow clay (ambua) with accents of red and white. They are adorned with large layered necklaces made of shells and beads, which show significant detail in the light and shadow work. The application of pigment implies high skill, particularly in the rendering of muscular definition, the reflective sheen on the skin, and the intricate textures of the fur and feathers. The artwork is professionally matted in black and housed within a contemporary wood frame with a reddish-brown cherry or mahogany finish. There is a signature in red in the lower right corner, though the artist is not immediately identifiable without further provenance. The condition appears excellent with no visible foxing, fading, or moisture damage to the paper. The frame and glazing are intact with minimal surface wear.
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