Signed and Dated Artwork by D. Popiashvili

This item is a framed original artwork pieces viewed from the reverse side. The back consists of a tan-colored heavy paperboard or masonite backing secured within a rustic, hand-joined wooden frame. Central to the provenance of the piece is the handwritten attribution located in the middle of the backing board. The inscription, applied in a black non-bleeding ink, includes the artist's name in Georgian script, followed by the Latin-script signature "D. Popiashvili" and the specific date "1996". The wooden frame exhibits a natural grain with a light reddish-brown stain or finish, featuring simple mitered corners that appear to be held together with aged staples and small nails, some of which show oxidation. A thin white string has been threaded through a hole in the backing board to serve as a rudimentary hanging mechanism. The condition shows minor edge wear to the wood, light scuffing on the backing board, and a small dark circular stain to the left of the signature. The craftsmanship of the frame is utilitarian, suggesting a contemporary or folk-art aesthetic from the late 20th century.

This appraisal is based on a visual examination of the reverse of an original artwork signed by D. Popiashvili, dated 1996. The piece features a rustic wooden frame and a handwritten inscription in both Georgian and Latin scripts. The physical condition appears consistent with its age; the wood shows minor oxidation on staples and slight edge wear, which is typical for late 20th-century regional framing. The dual-script signature and specific dating provide a strong preliminary link to the Georgian school of contemporary art, which saw a surge in localized expression following the post-Soviet transition. This specific artist, while known within regional Eastern European circles, maintains a modest secondary market presence. The 'folk-art' aesthetic of the frame suggests the piece may be a work on paper or board rather than canvas. Market demand for 1990s Georgian art is currently niche but growing among collectors of post-Soviet aesthetics. Factors positively impacting value include the clear dating and legible signature; however, the utilitarian framing and lack of visible exhibition history serve as limiting factors. Please note that this valuation is based solely on digital imagery. A full authentication would require an in-person examination of the front of the artwork to assess technique, medium, and preservation. To verify authenticity beyond reasonable doubt, I would need to perform a microscopic analysis of the ink used in the signature to check for age consistency and review any existing provenance documentation, such as exhibition catalogs or original purchase receipts from Georgian galleries.