
Mid-Century Abstract Expressionist Oil Painting, 1960
This is a large-scale original oil painting on canvas, signed 'Mander' and dated '60' in the lower right corner. The artwork is a premier example of mid-20th-century Abstract Expressionism, characterized by aggressive, gestural brushwork and a dense, impasto application of paint. The composition is highly kinetic, featuring swirling black, ochre, and deep green strokes that clash against a lighter, neutral beige and cream background. Construction involves heavy layering, and there are visible signs of palette knife work alongside traditional bristle brush marks. The color palette is earthy but punctuated by highlights of red and teal. In terms of condition, the canvas appears to be unframed, showing slight edge wear and possible minor surface grime consistent with a piece from 1960. There is light crazing in the thicker impasto areas, suggesting natural aging of the oil binder. The overall quality suggests a professional hand, with sophisticated control over the chaotic movements and a deliberate use of negative space in the lower-right quadrant to balance the heavy visual weight of the top left.
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Estimated Value
$4,500 - $6,500
Basic Information
Category
Fine Art - Paintings
Appraised On
February 24, 2026
Estimated Value
$4,500 - $6,500
Item Description
This is a large-scale original oil painting on canvas, signed 'Mander' and dated '60' in the lower right corner. The artwork is a premier example of mid-20th-century Abstract Expressionism, characterized by aggressive, gestural brushwork and a dense, impasto application of paint. The composition is highly kinetic, featuring swirling black, ochre, and deep green strokes that clash against a lighter, neutral beige and cream background. Construction involves heavy layering, and there are visible signs of palette knife work alongside traditional bristle brush marks. The color palette is earthy but punctuated by highlights of red and teal. In terms of condition, the canvas appears to be unframed, showing slight edge wear and possible minor surface grime consistent with a piece from 1960. There is light crazing in the thicker impasto areas, suggesting natural aging of the oil binder. The overall quality suggests a professional hand, with sophisticated control over the chaotic movements and a deliberate use of negative space in the lower-right quadrant to balance the heavy visual weight of the top left.
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