President Abraham Lincoln Writing the Emancipation Proclamation Print

This item is a historical 19th-century lithographic print depicting President Abraham Lincoln seated at a desk, presumably drafting or signing the Emancipation Proclamation. Lincoln is portrayed in his signature formal black frock coat and bowtie, holding a quill pen. The setting features symbolic elements, including heavy drapery in the background and classical columns. The print appears to be a monochromatic or sepia-toned lithograph on paper. It is housed in a white mat under glass. Physically, the paper shows significant age-related browning (toning) and notable vertical rippling or 'cockling,' suggesting exposure to moisture or humidity over time. There is a visible water stain or tide mark along the bottom center margin, extending into the title block area where 'ABRAHAM LINCOLN' is partially legible. The composition is consistent with mid-1860s political iconography, commonly produced by firms like Currier & Ives or Kellogg to commemorate major Civil War milestones. The level of detail in the shading and the classical interior suggests a high-quality production for its era, though the current condition shows 'foxing' and environmental wear that would require professional stabilization for long-term preservation.

Based on my visual examination of this 19th-century lithograph, I identify it as a mid-1860s commemorative print, likely produced by a popular firm such as Currier & Ives or Kellogg. The iconography—featuring Lincoln with the quill pen and classical motifs—was widely distributed following the Emancipation Proclamation. While remarkably iconic, the item is in 'Fair' condition. I observed significant toning (acidification), vertical cockling, and a prominent water stain along the bottom margin. These environmental factors negatively impact the value, as professional restoration is required to prevent further degradation. The market for Lincolniana remains robust; however, value is heavily dictated by condition and the specific lithographic firm. Comparables for similar mid-tier 1860s prints in pristine condition can exceed $1,500, but the documented moisture damage here suggests the lower valuation range. Authenticity is tentatively confirmed based on the printing style and historical accuracy of the composition. However, a final determination would require an in-person inspection to verify the paper’s fiber content, check for a lithographic stone grain versus modern dot-matrix patterns, and inspect for any hidden tears or mounting adhesives behind the matting. I also recommend seeking provenance documentation to trace its ownership history, which could provide a premium. A physical examination out of the frame is necessary to confirm the absence of 'foxing' mold and to evaluate the integrity of the paper substrate.