Limited edition cityscape print in the style of Thomas McKnight

This framed work appears to be a limited edition print featuring a nocturnal view of the Flatiron Building in New York City. The piece is stylistically consistent with the serigraphs of Thomas McKnight, characterized by a detailed, illustrative architectural style and a specific color palette using deep grays and glowing yellows. The print bears a handwritten inscription in graphite on the lower left margin reading '76/120' followed by the title 'Destinations', which matches the unverified user-supplied claim. The lower right margin appears to bear a signature consistent with Thomas McKnight, accompanied by the year '92'. The artwork depicts yellow New York City taxis in the foreground against the illuminated historic skyscraper. The piece is housed behind a white mat in a dark, multi-tiered frame. Without an in-person inspection of the ink layering, paper stock, and a forensic verification of the signature, this is treated as a print stylistically attributed to McKnight from 1992. The item appears to be in good visual condition with no visible foxing, though minor reflections are present on the protective glass.

Based on the image provided, this work appears to be a limited edition serigraph titled 'Destinations', numbered 76/120, and bears a signature consistent with Thomas McKnight dated '92. Stylistically, the piece aligns with the popular mid-to-late 20th-century aesthetic associated with McKnight, featuring vibrant, illustrative depictions of urban landscapes. The condition appears good from the photograph, with no obvious signs of moisture damage or fading, though reflections on the glass prevent a full assessment of the paper surface. My valuation of $600 to $1,100 is based on the assumption that this is a period-correct serigraph from the stated edition. This estimate reflects the healthy secondary market for McKnight’s graphic works, which remain popular in residential and commercial decor. However, I cannot verify the signature or the printing technique (such as ink layering and paper stock) from a photograph alone; these elements must be treated as a working hypothesis. Should the piece be found to be a later mechanical reproduction or an 'after' print rather than a hand-signed serigraph, the value would likely fall below $100. To confirm the higher valuation, an in-person forensic examination of the signature and ink, as well as any available provenance or gallery documentation, would be required. The value of fine art prints can fluctuate based on the specific edition size and the demand for the particular subject matter represented.