Promenade (1998) Lithograph

This item is an original lithograph titled 'Promenade,' dated 1998. The artwork features a vibrant, abstract expressionist composition with a rich palette of cobalt blue, emerald green, terracotta orange, and sunset yellow. The technique showcases layered textures and gestural linework, indicative of multi-stone or plate lithography. The imagery suggests a stylized landscape or architectural vista viewed through a fractured lens. It is housed in a contemporary thin-profile metallic frame with a silver finish and protected by a large, crisp white archival-style mat board. Below the image area, the work is hand-signed by the artist in the lower right corner, titled 'Promenade' in the center, and numbered in the lower left, indicating it is part of a limited edition (appearing as 13/150). The print shows clear, sharp edges from the press. The condition appears to be excellent, with the paper maintaining its brightness and no visible signs of foxing, fading, or moisture damage. The framing is professional and clean, providing a modern aesthetic that complements the artwork's late-20th-century origins.

Based on my visual examination of the images provided, I am appraising this 1998 lithograph titled 'Promenade.' The work appears to be a limited edition print, numbered 13/150, featuring an abstract expressionist composition with vibrant hues of cobalt, emerald, and terracotta. The condition presents as excellent; there is no visible foxing, light burn, or planar distortion in the paper, and the colors retain significant saturation. The professional metallic framing and archival-style matting add to its presentability and suggest it has been well-cared for. However, a crucial limitation in this appraisal is the unidentified nature of the artist based on the signature provided in the description. Without a recognized artist attribution, the value is primarily decorative rather than investment-grade. While the technique appears to be genuine lithography—evidenced by the press edges and layered textures—the market for unidentified late-20th-century abstract prints relies heavily on aesthetic appeal and framing quality. Comparables for similar high-quality, limited-edition decorative lithographs from the late 90s generally trade in the low-to-mid hundreds. To provide a higher valuation or definitive authentication, I would require a high-resolution close-up of the signature to identify the artist against known databases. Furthermore, physical inspection is necessary to confirm the medium is a true stone or plate lithograph rather than a high-quality offset reproduction, and to verify the paper's watermark and texture.