Art Glass Bowl signed 'Tyler Errickson 2003'

This is a hand-blown art glass bowl featuring an organic, free-form undulating rim with soft folds and dips. The primary body of the vessel is a vibrant turquoise or aqua color, accented by a contrasting bright yellow or lime green border wrapping entirely around the undulating rim. The interior slopes gently downward into a central well displaying a polished pontil mark characteristic of free-blown studio glassware. The piece appears to be in overall good visual condition, showing minor surface dust and light reflections consistent with displayed art glass, with no immediately apparent structural chips or cracks visible in the photograph. The physical characteristics and coloration are consistent with contemporary studio art glass production. The attribution in the name rests upon a visible inscription located elsewhere or referenced in unverified context, and the owner-supplied attribution of 'Tyler Errickson 2003' remains unverified by physical inspection. The style is characteristic of late 20th to early 21st-century studio art glass craftsmanship.

Based on what I can see in the provided image, this hand-blown art glass bowl exhibits a vibrant turquoise body and a contrasting lime green rim with organic, free-form shaping and a polished pontil mark. The owner identifies this piece as being signed 'Tyler Errickson 2003'. I must note that the owner's attribution remains unverified from a photograph alone, and I cannot guarantee the signature or authorship without a physical inspection. Assuming the attribution is correct, contemporary studio art glass pieces of this quality and aesthetic typically trade within the $300 to $500 range in the current secondary market, driven by interior decor demand for colorful art glass. However, if physical inspection reveals the piece to be a reproduction, an unattributed studio piece, or made in the general style of the named maker without a direct connection, the value would likely decrease to the $100 to $200 range, reflecting general decorative value rather than attributed studio pricing. To better ascertain the value and support the current working assumption, I would need a physical examination of the signature and glass body, expert consultation, and any available provenance documentation.