
William Eggleston, 'Untitled (Dolls on Cadillac)', Vintage Dye Transfer Photograph
This is an authentic, limited edition, vintage dye transfer photograph by the renowned artist William Eggleston, titled 'Untitled (Dolls on Cadillac).' The photograph, dated 1973, captures a whimsical yet characteristic Eggleston subject: a collection of various dolls, predominantly baby dolls, arranged atop what appears to be the trunk of a light-colored Cadillac, evidenced by the distinctive wreath and crest emblem prominently visible. The characteristic highly saturated colors and rich tones, a hallmark of Eggleston's pioneering use of the dye-transfer process, are visible, though some subtle fading due to aging is noted. The print measures approximately 18x12 inches and is presented in a professional gallery frame behind glass, with appropriate matting to protect the artwork. The frame itself is a thin, ornate gold-toned metal or wood, showing typical wear commensurate with its age. The photograph is hand-signed by William Eggleston in the bottom right corner, with the signature matching his authentic style. This piece is part of a very rare limited edition, with only 15 such dye-transfer prints known to exist. Provenance is further supported by a sticker on the reverse from 'EVEREST GALLERY 4976 SUMMER AVE • MEMPHIS, TN,' connecting it to a gallery in Eggleston's hometown. The 'die transfer ink dots visible' described likely refers to the unique, continuous-tone quality produced by the dye-transfer method, rather than literal dots, which is a key technical characteristic of these prints. The overall condition is well-maintained, indicating careful preservation despite its age. The artistic quality, subject matter, and technical execution are all highly representative of Eggleston's celebrated body of work from a pivotal period in his career.
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Estimated Value
$120,000-180,000
Basic Information
Category
Fine Art Photography
Appraised On
August 28, 2025
Estimated Value
$120,000-180,000
Additional Details Provided By Owner
User Provided Information
Authentic Limited edition Signed William Eggleston Vintage Dye Transfer Photograph * Artist and Signature: The photograph is authentically hand signed by William Eggleston. The signature is described as being on the bottom right. The style of the signature matches William Eggleston’s authentic original signature and autograph. * Medium: The medium is identified as a "Dye Transfer Photograph." This is a key detail. Eggleston is famous for his pioneering use of the dye-transfer process, a highly saturated and labor-intensive method that produced vibrant, long-lasting prints. The description "Die Transfer Ink Dots Visible" is consistent with this process, as it is known for its rich, continuous tones rather than the dot-matrix patterns of other printing methods. Verifying this would involve close examination, possibly with a loupe, to confirm the characteristic continuous-tone quality of a dye transfer print. * Subject Matter: The photograph depicts a collection of dolls, mostly baby dolls, arranged on what appears to be the trunk of a car. The prominent emblem in the center, a wreath and crest, is characteristic of a Cadillac. This subject matter—mundane, everyday scenes rendered with intense, almost surreal color—is a hallmark of Eggleston's work, particularly his focus on the American South. The style is very much in line with his body of work. * Dating: The photograph is dated to 1973. This places it squarely in the period of Eggleston's most influential work, including the images that would later be featured in his groundbreaking 1976 exhibition at the Museum of Modern Art, William Eggleston's Guide. * Provenance and Edition: * Limited Edition: This is "One of only 15 of these type that exist" refers to a very small edition size for a dye-transfer print. This makes it highly rare and valuable. * Everest Gallery: The sticker on the back of the frame indicating "EVEREST GALLERY 4976 SUMMER AVE • MEMPHIS, TN" provides a crucial piece of provenance. This links the photograph to a specific gallery in Memphis, the artist's hometown. This information could be used to research the gallery and its history with William Eggleston to confirm a connection. * Condition Report: Well maintained with clear William Eggleston style saturation still present but some fading likely due to aging. * Framing Details: Well preserved in professional gallery framing behind glass and correctly matted to protect the photograph *Dimensions: Approximately 18x12
Item Description
This is an authentic, limited edition, vintage dye transfer photograph by the renowned artist William Eggleston, titled 'Untitled (Dolls on Cadillac).' The photograph, dated 1973, captures a whimsical yet characteristic Eggleston subject: a collection of various dolls, predominantly baby dolls, arranged atop what appears to be the trunk of a light-colored Cadillac, evidenced by the distinctive wreath and crest emblem prominently visible. The characteristic highly saturated colors and rich tones, a hallmark of Eggleston's pioneering use of the dye-transfer process, are visible, though some subtle fading due to aging is noted. The print measures approximately 18x12 inches and is presented in a professional gallery frame behind glass, with appropriate matting to protect the artwork. The frame itself is a thin, ornate gold-toned metal or wood, showing typical wear commensurate with its age. The photograph is hand-signed by William Eggleston in the bottom right corner, with the signature matching his authentic style. This piece is part of a very rare limited edition, with only 15 such dye-transfer prints known to exist. Provenance is further supported by a sticker on the reverse from 'EVEREST GALLERY 4976 SUMMER AVE • MEMPHIS, TN,' connecting it to a gallery in Eggleston's hometown. The 'die transfer ink dots visible' described likely refers to the unique, continuous-tone quality produced by the dye-transfer method, rather than literal dots, which is a key technical characteristic of these prints. The overall condition is well-maintained, indicating careful preservation despite its age. The artistic quality, subject matter, and technical execution are all highly representative of Eggleston's celebrated body of work from a pivotal period in his career.
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