
Framed Black and White Macro Photograph of a Calla Lily
This is an original black and white macro photograph depicting the interior curves and spadix of a Calla Lily. The composition is highly abstract and minimalist, focusing on the soft gradients of light and shadow across the velvet-textured petal. The image is oriented horizontally and occupies the center of a wide, white mat board. The photograph appears to be a limited edition print, as there is a fraction-style numbering ('1/10' or similar) in the bottom left margin and a cursive signature with a date ('85' or '05') in the bottom right margin. The print is housed in a simple, contemporary black wooden or composite frame with a flat profile. The use of high-contrast lighting creates a deep black background that makes the organic, sculptural form of the flower appear to float. There are no immediate signs of foxing or water damage on the matting, though some minor surface dust and light reflections are visible on the glazing. The style is reminiscent of Modernist botanical photography, specifically the works of Imogen Cunningham or Robert Mapplethorpe, emphasizing clean lines and sensual transitions of grey tones. The tight cropping and soft focus on the edges suggest a professional artistic intent and high-quality lens work.
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Estimated Value
$75.00 - $150.00
Basic Information
Category
Fine Art Photography
Appraised On
March 23, 2026
Estimated Value
$75.00 - $150.00
Additional Details Provided By Owner
User Provided Information
Unknown Artist, Untitled original artwork
Item Description
This is an original black and white macro photograph depicting the interior curves and spadix of a Calla Lily. The composition is highly abstract and minimalist, focusing on the soft gradients of light and shadow across the velvet-textured petal. The image is oriented horizontally and occupies the center of a wide, white mat board. The photograph appears to be a limited edition print, as there is a fraction-style numbering ('1/10' or similar) in the bottom left margin and a cursive signature with a date ('85' or '05') in the bottom right margin. The print is housed in a simple, contemporary black wooden or composite frame with a flat profile. The use of high-contrast lighting creates a deep black background that makes the organic, sculptural form of the flower appear to float. There are no immediate signs of foxing or water damage on the matting, though some minor surface dust and light reflections are visible on the glazing. The style is reminiscent of Modernist botanical photography, specifically the works of Imogen Cunningham or Robert Mapplethorpe, emphasizing clean lines and sensual transitions of grey tones. The tight cropping and soft focus on the edges suggest a professional artistic intent and high-quality lens work.
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