Mixed-media abstract painting on panel, bearing a signature consistent with Rejine Halimi

This item is a square abstract painting, appears to be executed in mixed media on a wooden panel or cradled wood board. The composition features a heavily textured, monochromatic palette of greys, whites, and browns, with a central area containing calligraphic or gestural markings in a deep maroon or burgundy pigment. The surface shows significant evidence of sgraffito—lines scratched into the drying paint layers—and visible brushwork that suggests a layered and expressive technique. The user identifies this as part of a collection of five works by Rejine Halimi from 2013, with dimensions described as 20x20 cm; these user-supplied claims remain unverified without physical inspection. The lower right corner bears a signature that appears consistent with 'Rejine Halimi', which aligns with the owner's attribution, though all signatures viewed in images are treated as hypotheses until expertly authenticated. The work is stylistically consistent with contemporary abstract expressionism. The condition appears to be good with intentional distressing and texture intrinsic to the artist's style, though there are slight signs of edge wear typical for an unframed wooden support. The craftsmanship reflects a sophisticated use of impasto and multi-layered media application.

I have examined the images of this mixed-media abstract painting on wooden panel. Based on what I can see, the work features a sophisticated use of sgraffito and impasto, which is stylistically consistent with modern abstract expressionism. The lower right corner bears a signature consistent with 'Rejine Halimi', which aligns with the user's report attributing this to a 2013 collection of five works measuring 20x20 cm. However, I cannot verify the medium or the signature's legitimacy from a photograph alone; a physical inspection is required to confirm the tactile nature of the media and the age of the materials. My estimate of $400 - $600 per individual work is based on the hypothesis that the attribution to Rejine Halimi is correct and reflects typical market behavior for small-scale contemporary works of this caliber. This valuation assumes the piece is in good condition with only the minor edge wear visible on the unframed support. Demand for such abstract works generally depends on the verified standing of the artist and exhibition history. To confirm the identity of the maker, one would need provenance documentation or a scientific analysis of the pigments and substrate. If the work is later found to be 'in the style of' the artist or an unattributed decorative copy rather than being by the artist's hand, the market value would likely decrease significantly, essentially to its decorative value, perhaps between $50 and $100.