
Hand-Painted Burmese Red Cinnabar Lacquerware Cylindrical Tumblers
This is a set of six hand-crafted Burmese (Myanmar) lacquerware tumblers, likely dating from the mid-20th century. Each cylindrical vessel features a traditional cinnabar-red interior and base, providing a striking contrast to the exterior's dark, charcoal-black background. The decorative program is achieved through the 'yun' technique, where intricate patterns are incised into the lacquer surface and filled with pigments. The motifs include detailed floral scrolls, foliage, and what appear to be traditional figural or architectural scenes set within framed medallions. These tumblers are constructed from a lightweight but durable core, traditionally woven bamboo or horsehair, layered with numerous coats of natural lacquer (thitsi). The craftsmanship is evident in the fine line work and the uniform application of the resin. Regarding condition, the set appears well-preserved with minor surface abrasions and some typical dulling of the finish consistent with age. There are no major cracks or losses visible, though the natural luster of the cinnabar varies slightly between pieces, indicating their handmade origin. These pieces represent a significant folk art tradition from the Bagan region.
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Estimated Value
$100 - $200
Basic Information
Category
Antique Lacquerware
Appraised On
March 4, 2026
Estimated Value
$100 - $200
Item Description
This is a set of six hand-crafted Burmese (Myanmar) lacquerware tumblers, likely dating from the mid-20th century. Each cylindrical vessel features a traditional cinnabar-red interior and base, providing a striking contrast to the exterior's dark, charcoal-black background. The decorative program is achieved through the 'yun' technique, where intricate patterns are incised into the lacquer surface and filled with pigments. The motifs include detailed floral scrolls, foliage, and what appear to be traditional figural or architectural scenes set within framed medallions. These tumblers are constructed from a lightweight but durable core, traditionally woven bamboo or horsehair, layered with numerous coats of natural lacquer (thitsi). The craftsmanship is evident in the fine line work and the uniform application of the resin. Regarding condition, the set appears well-preserved with minor surface abrasions and some typical dulling of the finish consistent with age. There are no major cracks or losses visible, though the natural luster of the cinnabar varies slightly between pieces, indicating their handmade origin. These pieces represent a significant folk art tradition from the Bagan region.
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