AI identification & appraisal estimate

Science Fantasy Magazine No. 10 - Five Into Four by J.T. McIntosh (Poster Print)

Submitted photo of Science Fantasy Magazine No. 10 - Five Into Four by J.T. McIntosh (Poster Print)
Photo submitted by the user — not generated by AI

User's notes

Science fantasy poster five into 4 McIntosh size 1840 x 2501

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$45.00 - $65.00

AI estimate as of March 8, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This item is a large-format poster reproduction of the cover of Science Fantasy Magazine, Number 10, originally published in 1954. The artwork depicts a classic mid-century science fiction scene featuring a blonde woman in the foreground wearing a futuristic black and gold collar outfit. Behind her is a sprawling space colony landscape characterized by a massive geodesic dome with visible interior lighting and a sleek, silver needle-shaped rocket ship parked on a landing pad. The color palette is rich with deep purples, greens, and vibrant yellows, typical of the pulp era. The top header features the iconic 'Science Fantasy' logo in a red trapezoidal frame, with the price '1/6' and 'No. 10' clearly visible. The lower section includes a yellow text bar identifying the lead story as 'FIVE INTO FOUR - McIntosh'. Physically, the print appears to have a slight horizontal crease or surface scuff across the middle-left section. The paper shows a glossy finish, and the framing of the image includes a white border, suggesting it is a modern high-resolution poster print rather than an original 1950s magazine specimen. The overall composition reflects the Atomic Age aesthetic and the Golden Age of British speculative fiction magazines.

AI Appraisal Report

I have completed a visual assessment of the Science Fantasy Magazine No. 10 poster print. Based on the provided dimensions (1840 x 2501 pixels representing a large-format reproduction) and the visible white borders, this item is identified as a modern decorative reproduction of the 1954 cover artwork by Brian Lewis. While it captures the striking 'Atomic Age' aesthetic and mid-century pulp charm of the original British magazine, it is not an original vintage publication or a period-correct promotional lithograph. Condition-wise, I note a horizontal surface scuff or crease across the mid-left section. In the market for sci-fi memorabilia, modern poster reproductions are valued primarily for their decorative appeal rather than investment-grade rarity. Comparables for high-resolution, large-format prints of pulp magazines typically range from $30 to $80 depending on the paper quality and ink type used. The specific association with J.T. McIntosh provides niche interest for collectors of British speculative fiction, but the physical damage noted slightly limits its top-end market value. Verification of the print method (e.g., giclée vs. standard digital offset) and paper weight would require a physical inspection to determine if the value sits at the higher end of the estimate. This appraisal assumes the item is a standard modern reprint. To fully authenticate the vintage or rarity of the ink, an in-person examination under UV light and magnification would be necessary to rule out archival quality vs. commercial grade production. Provenance regarding the printer or the source of the digital file used for reproduction would further clarify the item's origin.

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