Art glass toucan figurine in the style of Ludvig Löfgren for Kosta Boda

This item is a sculptural art glass figurine depicting a toucan, characterized by a bold, polychromatic design and a glossy finish. The figure stands vertically, featuring a large, stylized beak with vibrant sections of yellow, orange-red at the tip, and a touch of green near the base. The body is rendered in a deep, opaque black or very dark blue glass, while the head includes lighter blue and white accents around small, protruding dark eyes. A small white label or etched mark is visible near the base which appears to bear the text 'KOSTA BODA', though it is not legible enough for verification from the image. The user-supplied information suggests the piece is signed 'L Lofgren' with a serial number, which would be consistent with the 'My Wide Life' series designed by Ludvig Löfgren for the Swedish glassworks Kosta Boda. However, these signatures are not visible in the provided photograph and remain unverified. Stylistically, the piece appears consistent with contemporary Swedish glass production from the early 21st century. The craftsmanship shows high-quality glass molding and color application typical of established Scandinavian studios. No significant damage is visible in the photo, though reflective surfaces can mask fine scratches or internal stresses. This attribution is a hypothesis based on visible aesthetics and non-verified owner claims; a physical inspection is necessary to establish the presence of a genuine etched signature or maker's mark.

Based on the photograph provided, I have examined this sculptural art glass toucan. Per the user submission, the piece is attributed to designer Ludvig Löfgren for Kosta Boda and reportedly bears a signature and serial number. While I can see a factory label near the base, I cannot verify the specific etched markings or the signature from this image alone. The aesthetic qualities, including the bold polychromatic beak and high-gloss black body, appear consistent with the 'My Wide Life' series produced in Sweden. My estimate assumes the attribution is accurate. The value of such contemporary Scandinavian glass depends heavily on the presence of a legitimate signature and the absence of chips or internal fractures, which are difficult to rule out without an in-person inspection. In the current secondary market, there is steady demand for Löfgren's whimsical designs, with similar glass figurines typically commanding mid-range prices at specialty auctions. To confirm this valuation, a physical examination would be required to verify the etched 'L Lofgren' signature and assess the glass for micro-scratches. This report treats the identity of the maker as a hypothesis; should the piece be found to be a reproduction or an unsigned 'in the style of' work, the market value would likely decrease significantly to the $50 - $100 range.