Victorian Eastlake Marble-Top Parlor Table
Antique Furniture

Victorian Eastlake Marble-Top Parlor Table

This is a fine example of a Victorian-era parlor table, specifically styled in the Eastlake or Aesthetic Movement tradition, likely dating from approximately 1870 to 1890. The table features a white Carrara marble top with a decorative ogee edge, resting upon a highly architectural walnut or stained fruitwood frame. The apron is decorated with incised geometric linear patterns and shallow relief carving consistent with the Eastlake style’s rejection of overly ornate Baroque curves. The central pedestal is exceptionally complex, featuring four curved legs that terminate in casters and are accented by turned finials and teardrop-shaped drops. The central column is multifaceted with a turned urn-shaped core and gothic-influenced piercing. The wood displays a rich, dark brown patina. Condition-wise, the piece appears structurally sound, though there is visible surface wear to the wood finish, particularly around the feet and lower stretchers, and minor scuffing on the marble surface. The craftsmanship is of high quality, indicative of a mass-produced yet well-made piece from a major furniture hub of the era, such as Grand Rapids or New York. The complex joinery and various decorative turnings suggest a higher-end residential piece designed as a centerpiece for a formal sitting room.

Estimated Value

$600.00 - $950.00

Basic Information

Category

Antique Furniture

Appraised On

February 11, 2026

Estimated Value

$600.00 - $950.00

Item Description

This is a fine example of a Victorian-era parlor table, specifically styled in the Eastlake or Aesthetic Movement tradition, likely dating from approximately 1870 to 1890. The table features a white Carrara marble top with a decorative ogee edge, resting upon a highly architectural walnut or stained fruitwood frame. The apron is decorated with incised geometric linear patterns and shallow relief carving consistent with the Eastlake style’s rejection of overly ornate Baroque curves. The central pedestal is exceptionally complex, featuring four curved legs that terminate in casters and are accented by turned finials and teardrop-shaped drops. The central column is multifaceted with a turned urn-shaped core and gothic-influenced piercing. The wood displays a rich, dark brown patina. Condition-wise, the piece appears structurally sound, though there is visible surface wear to the wood finish, particularly around the feet and lower stretchers, and minor scuffing on the marble surface. The craftsmanship is of high quality, indicative of a mass-produced yet well-made piece from a major furniture hub of the era, such as Grand Rapids or New York. The complex joinery and various decorative turnings suggest a higher-end residential piece designed as a centerpiece for a formal sitting room.

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