Acrylic landscape painting of three horses grazing

This physical artwork is executed in acrylic paint on stretched canvas, measuring approximately twenty by sixteen inches. The composition depicts three draft horses, appearing similar to Clydesdales with their characteristic feathered lower legs, grazing in a grassy field. The left horse has a bay coat, the center horse a dark bay or brown coat, and the right horse a black coat, all with prominent white markings on their lower legs. The background features a rolling green pasture punctuated by a treeline of evergreen trees, backed by soft, pastel-hued mountains under a pink and purple morning or evening sky. The foreground includes detailed patches of textured grass and clusters of pink, white, and purple wildflowers. There are no visible signatures, hallmarks, or maker's marks discernible in the image area provided. The overall aesthetic is consistent with contemporary regional landscape and equine painting styles. The owner's additional context states that this is an unverified acrylic on canvas painting by Mary Chesney titled 'Three Clydesdales Grazing', which is user-supplied information and remains unauthenticated by physical inspection.

Based on what I can see in the provided image, this physical artwork is an acrylic painting on stretched canvas measuring approximately twenty by sixteen inches, depicting three draft horses grazing in a landscape. The owner identifies this piece as an unverified work by Mary Chesney titled 'Three Clydesdales Grazing.' I must note that I can't verify authorship, age, or materials from a photo alone, and physical inspection would be needed to confirm these details. Assuming the owner's attribution is correct, regional equine and landscape paintings of this scale typically trade within the $300 to $600 range in current secondary art markets, depending on condition and market demand. Demand for contemporary regional equine art tends to be steady among niche collectors, though broad market liquidity is moderate. To support this valuation and address attribution, one would need in-person examination by a qualified fine art specialist, provenance documentation, and careful inspection of the canvas and paint application. If physical inspection reveals that the work is a reproduction, replica, copy, or merely executed 'in the style of' the artist rather than an autograph piece, the value would be substantially lower, typically dropping to the $50 to $150 decorative art tier. Value is entirely dependent on future authentication.