
Figurative Terracotta Sculpture of a Mother and Children
This is a hand-formed figurative terracotta sculpture mounted on a rectangular wooden plinth. The piece depicts a central female figure, likely a mother, standing in a long gown with flared sleeves, flanked by two smaller child figures reaching toward her. The sculpture features a rough, expressive texture with visible hand-tooling and thumbprints, suggesting a mid-to-late 20th-century studio pottery origin. The material is a light reddish-brown clay with an unglazed, matte finish that shows a slight dusty patina. The central figure has an elongated, stylized form characteristic of modern expressionism. The construction appears sound, though the porous nature of the clay shows minor surface abrasions and dust accumulation in the crevices. There are no immediately visible maker's marks or signatures on the front, although typical examples of this style are often signed on the lower reverse or the bottom of the base. The wooden base shows a natural grain with a light honey-toned finish and appears to be original to the piece, providing a stable footing and a professional gallery-style presentation. The overall craftsmanship is high, focusing on emotional resonance and form rather than fine anatomical detail.
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Estimated Value
$450 - $650
Basic Information
Category
Fine Art - Sculpture
Appraised On
February 10, 2026
Estimated Value
$450 - $650
Item Description
This is a hand-formed figurative terracotta sculpture mounted on a rectangular wooden plinth. The piece depicts a central female figure, likely a mother, standing in a long gown with flared sleeves, flanked by two smaller child figures reaching toward her. The sculpture features a rough, expressive texture with visible hand-tooling and thumbprints, suggesting a mid-to-late 20th-century studio pottery origin. The material is a light reddish-brown clay with an unglazed, matte finish that shows a slight dusty patina. The central figure has an elongated, stylized form characteristic of modern expressionism. The construction appears sound, though the porous nature of the clay shows minor surface abrasions and dust accumulation in the crevices. There are no immediately visible maker's marks or signatures on the front, although typical examples of this style are often signed on the lower reverse or the bottom of the base. The wooden base shows a natural grain with a light honey-toned finish and appears to be original to the piece, providing a stable footing and a professional gallery-style presentation. The overall craftsmanship is high, focusing on emotional resonance and form rather than fine anatomical detail.
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