
Vintage Mid-Century Modern Ceramic Lady Head Vase
This is a vintage ceramic head vase depicting a woman with a stylized, elegant facial composition characteristic of Mid-Century Modern decorative arts, likely dating from the 1950s or 1960s. The piece features a matte finish with a dark skin tone, accented by hand-painted details including arched black eyebrows, long eyelashes, golden-brown eyes, and vibrant pink lips. The figure is draped in a teal or turquoise headscarf that wraps around the neck, forming the base of the vessel. The construction appears to be molded ceramic with a slip-cast interior. In terms of condition, there are visible surface scuffs and minor paint loss, particularly on the right cheek and the lower part of the teal scarf, where white ceramic is exposed through the glaze. There is a general layer of surface dust and light grime consistent with age and storage. While no manufacturer's mark is immediately visible in the frontal view, the style is reminiscent of makers like Ucagco, Napco, or Lefton. The craftsmanship shows a high level of detail in the facial molding, capturing a serene expression typical of the era's glamour-oriented decor.
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Estimated Value
$125 - $175
Basic Information
Category
Collectibles / Decorative Arts
Appraised On
May 7, 2026
Estimated Value
$125 - $175
Item Description
This is a vintage ceramic head vase depicting a woman with a stylized, elegant facial composition characteristic of Mid-Century Modern decorative arts, likely dating from the 1950s or 1960s. The piece features a matte finish with a dark skin tone, accented by hand-painted details including arched black eyebrows, long eyelashes, golden-brown eyes, and vibrant pink lips. The figure is draped in a teal or turquoise headscarf that wraps around the neck, forming the base of the vessel. The construction appears to be molded ceramic with a slip-cast interior. In terms of condition, there are visible surface scuffs and minor paint loss, particularly on the right cheek and the lower part of the teal scarf, where white ceramic is exposed through the glaze. There is a general layer of surface dust and light grime consistent with age and storage. While no manufacturer's mark is immediately visible in the frontal view, the style is reminiscent of makers like Ucagco, Napco, or Lefton. The craftsmanship shows a high level of detail in the facial molding, capturing a serene expression typical of the era's glamour-oriented decor.
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