Chinoiserie Ceramic Plaque with Avian and Landscape Scene
Decorative Tile or Plaque

Chinoiserie Ceramic Plaque with Avian and Landscape Scene

This appears to be a large, rectangular decorative ceramic tile or plaque, possibly intended as a tabletop insert, wall hanging, or part of a larger furnishing like a planter or lamp base as suggested by the context. The primary colors are a light, pale blue (almost celadon or duck egg blue) for the background and a rich, reddish-brown for the detailed ornamentation, reminiscent of sepia or iron red transferware. The surface exhibits a glossy finish, likely a glaze, which reflects light, indicating it is ceramic or porcelain. The decorative motif is an elaborate chinoiserie landscape, featuring fantastical birds (possibly hummingbirds or similar passerines) in flight and perched among stylized floral and leafy branches. Below, a whimsical mountainous terrain incorporates architectural elements resembling pagodas or oriental castles with multiple spires. In the foreground, a detailed scene depicts a figure, possibly human or mythical, engaging with a quadruped animal, perhaps a deer or goat, amidst large, structured foliage and rocky outcrops. The entire design has a dreamlike and intricate quality, typical of 18th or 19th-century European interpretations of Asian art. The brown color of the decoration is consistent and well-applied, suggesting either hand-painting with a high degree of skill or a very precise transfer-printing technique. There are no immediate visible signs of major damage such as chips, cracks, or significant abrasions from the provided image, though the glossy surface makes it difficult to ascertain minor imperfections like crazing or faint scratches. The edges of the plaque appear to have a solid brown border, framing the central design. The overall craftsmanship suggests a piece of good quality, likely produced in Europe, possibly France or England, given the chinoiserie style's popularity during the Rococo or Georgian periods. Its substantial size implies it was a significant decorative element.

Estimated Value

$300-500

Basic Information

Category

Decorative Tile or Plaque

Appraised On

August 28, 2025

Estimated Value

$300-500

Additional Details Provided By Owner

User Provided Information

Seems to be in style of planter, large lamp

Item Description

This appears to be a large, rectangular decorative ceramic tile or plaque, possibly intended as a tabletop insert, wall hanging, or part of a larger furnishing like a planter or lamp base as suggested by the context. The primary colors are a light, pale blue (almost celadon or duck egg blue) for the background and a rich, reddish-brown for the detailed ornamentation, reminiscent of sepia or iron red transferware. The surface exhibits a glossy finish, likely a glaze, which reflects light, indicating it is ceramic or porcelain. The decorative motif is an elaborate chinoiserie landscape, featuring fantastical birds (possibly hummingbirds or similar passerines) in flight and perched among stylized floral and leafy branches. Below, a whimsical mountainous terrain incorporates architectural elements resembling pagodas or oriental castles with multiple spires. In the foreground, a detailed scene depicts a figure, possibly human or mythical, engaging with a quadruped animal, perhaps a deer or goat, amidst large, structured foliage and rocky outcrops. The entire design has a dreamlike and intricate quality, typical of 18th or 19th-century European interpretations of Asian art. The brown color of the decoration is consistent and well-applied, suggesting either hand-painting with a high degree of skill or a very precise transfer-printing technique. There are no immediate visible signs of major damage such as chips, cracks, or significant abrasions from the provided image, though the glossy surface makes it difficult to ascertain minor imperfections like crazing or faint scratches. The edges of the plaque appear to have a solid brown border, framing the central design. The overall craftsmanship suggests a piece of good quality, likely produced in Europe, possibly France or England, given the chinoiserie style's popularity during the Rococo or Georgian periods. Its substantial size implies it was a significant decorative element.

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