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Submitted photo · May 24, 2026
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Lisa Larson
AI analysis below
AI appraisal
AI analysis & estimate
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Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.
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This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.
This item is a ceramic cat figurine, specifically identified by its distinctive style as a creation by Swedish ceramicist Lisa Larson. It belongs to her 'Small Zoo' (Lilla Zoo) series, and is commonly known as the 'Lillemor' cat. The figurine depicts a stylized, elongated cat in a prone or walking position on four short cylindrical legs. It is crafted from stoneware or a similar ceramic material, finished with a textured, mottled glaze. The body is predominantly an earthy, off-white or light beige color with olive-greenish and black striations, simulating feline fur markings. These markings are applied with an uneven, hand-painted quality, giving it character. The head of the cat is flat and wide, featuring bold, black linear details for the eyes, eyebrows, nose, and whiskers, contrasting sharply with the lighter face. The eyes are almond-shaped with cross-hatched pupils, and the nose is a simple inverted triangle. The mouth and chin area are distinguished by a pattern of black dots, and the pointed ears are outlined in black. The tail is short, relatively thick, and extends straight back from the body, finished with a dark glaze. The overall construction is solid, showcasing a robust yet charming aesthetic typical of mid-century modern Scandinavian design. There are no immediately visible chips, cracks, or repairs in the provided images, suggesting well-preserved condition. The irregular glaze application and hand-painted details are intentional design elements, not condition issues. The item appears to be in excellent vintage condition. Its estimated age would be mid to late 20th century, likely between the 1950s and 1970s, reflecting Larson's most prolific period with Gustavsberg. The craftsmanship is indicative of high-quality studio pottery, with attention paid to form and texture.
AI Appraisal Report
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This 'Lillemor' cat figurine, part of Lisa Larson's 'Small Zoo' series, presents in excellent vintage condition based on the provided image and description. The textured, mottled glaze in earthy tones with olive-green and black striations, along with the distinct hand-painted facial features, are all consistent with authentic Lisa Larson pieces from her prolific period (1950s-1970s) for Gustavsberg. I see no visible chips, cracks, or repairs, which is crucial for maximizing value. The intentional irregularities in glaze application and hand-painting are characteristic design elements, not flaws.
Lisa Larson's 'Small Zoo' series is highly sought after in the Scandinavian design market. The 'Lillemor' cat, with its charming, stylized form, enjoys consistent demand among collectors worldwide. While not as rare as some larger or more complex Larson pieces, its popularity ensures a steady market.
Factors positively impacting value include its excellent condition and clear attribution to a renowned designer. The aesthetic aligns perfectly with mid-century modern tastes, which continues to drive strong collector interest.
My valuation accounts for recent auction results and private sales of comparable 'Lillemor' figurines in similar condition. For full authentication, I would ideally conduct an in-person examination to check for any impressed or incised marks (e.g., "Lisa L" or "Gustavsberg"), which are sometimes obscured or absent, and to assess the tactile quality of the ceramic and glaze in person. Without physical inspection, I cannot rule out the possibility of a very high-quality reproduction, though the visual cues strongly suggest authenticity.