Paul César Helleu Trois Crayons Drawing
Fine Art - Works on Paper

Paul César Helleu Trois Crayons Drawing

This artwork is a classic example of a 'trois crayons' (three chalks) drawing, a technique utilizing red (sanguine), black (pierre noire), and white chalks on paper, attributed to the French artist Paul César Helleu (1859-1927). The composition features a female figure, likely one of Helleu's high-society muses from the Belle Époque era, executed with the fluid, elegant line work characteristic of the artist's style. The drawing is presented in a large vertical format, framed within a professional mount and a simple gilded or wood-toned frame. Physically, the piece shows the delicate blending of tones to create skin texture and the rapid, spirited hatchings used for the subject's hair and garments. Regarding condition, the paper appears to have even toning consistent with age, though the low image quality makes it difficult to assess specific foxing or micro-tears. The draftsmanship displays the high level of technical skill associated with Helleu’s portraiture, capturing the refined aesthetic of late 19th to early 20th-century French art. The work appears to be under glass, which has preserved the friable chalk medium. Such drawings are highly valued for their directness and their intimate portrayal of the feminine grace typical of the Edwardian period.

Estimated Value

$4,000 - $6,500

Basic Information

Category

Fine Art - Works on Paper

Appraised On

February 11, 2026

Estimated Value

$4,000 - $6,500

Additional Details Provided By Owner

User Provided Information

dessin au trois crayons de Helleu

Item Description

This artwork is a classic example of a 'trois crayons' (three chalks) drawing, a technique utilizing red (sanguine), black (pierre noire), and white chalks on paper, attributed to the French artist Paul César Helleu (1859-1927). The composition features a female figure, likely one of Helleu's high-society muses from the Belle Époque era, executed with the fluid, elegant line work characteristic of the artist's style. The drawing is presented in a large vertical format, framed within a professional mount and a simple gilded or wood-toned frame. Physically, the piece shows the delicate blending of tones to create skin texture and the rapid, spirited hatchings used for the subject's hair and garments. Regarding condition, the paper appears to have even toning consistent with age, though the low image quality makes it difficult to assess specific foxing or micro-tears. The draftsmanship displays the high level of technical skill associated with Helleu’s portraiture, capturing the refined aesthetic of late 19th to early 20th-century French art. The work appears to be under glass, which has preserved the friable chalk medium. Such drawings are highly valued for their directness and their intimate portrayal of the feminine grace typical of the Edwardian period.

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