AI Appraisal Estimate

This item is a two-toned glass goblet, featuring a bowl crafted from cranberry-colored glass and a clear crystal stem and base. The bowl exhibits a rich fuchsia-to-pink saturation typical of cranberry glass, which is traditionally achieved by adding gold chloride to molten glass. The bowl transitions into a clear, multi-faceted collar with a series of vertical, petal-like cuts at the junction where the bowl meets the stem, a design element often seen in Mid-Century or late Victorian revival glassware. The stem appears to be vertically ribbed or faceted, leading down to a wide, flat circular base. In terms of condition, the glass shows a high level of transparency and luster with no visible chips or cracks from this angle, though fine surface scratches consistent with use may be present upon closer tactile inspection. The craftsmanship suggests a pressed or blow-molded glass technique, likely dating from the mid-20th century, approximately 1940s-1970s. The piece lacks visible maker's marks, which is common for glassware of this type from American manufacturers like Fenton or European makers like Val Saint Lambert, requiring further inspection of the base for acid-etched signatures.

I have examined the provided images of this cranberry glass goblet with a faceted clear stem. The piece exhibits the distinctive 'gold ruby' hue characteristic of true cranberry glass, achieved through the addition of gold chloride. The transition between the bowl and the stem features petal-like vertical cuts and a faceted collar, suggesting mid-20th-century production (circa 1940-1960). Based on the form and the absence of a visible pontil mark in the photograph, the item appears to be high-quality press-molded or mold-blown glassware, reminiscent of patterns produced by American firms such as Fenton or Tiffin, or potentially European makers like Val Saint Lambert. The condition appears excellent, with the glass retaining high clarity and no evidence of 'sick' glass or significant chips. The market for mid-century colored glass remains stable, though individual stemware pieces have lower liquidity than complete sets. Rarity is considered low to moderate, as these were popular giftware items during their era. Factors impacting value include the deep saturation of the pink hue and the lack of visible wear on the base. However, definitive authentication is limited by the digital format. I cannot verify the presence of an acid-etched signature or micro-scratches on the base that confirm age. A physical inspection would be required to rule out modern reproductions and to check for 'flea bites' along the faceted edges. Furthermore, provenance or original labels would significantly bolster the attribution to a specific manufacturer, potentially increasing the valuation toward the higher end of the range.