
Bronze Laughing Buddha (Budai) Figurine
This is a heavy, cast metal figurine depicting the Laughing Buddha, also known as Budai or Hotei, traditionally seated in a posture of relaxation. The item is reported to be made in Thailand and exhibits a dark, almost black, patinated bronze or brass finish with a matte texture. Physically, the piece features a rounded, jolly face with a wide grin, elongated earlobes signifying wisdom, and a prominent protuberant belly which is often rubbed for good luck. The carving or casting detail on the robes shows flowing drapery and textured folds. Given the context of its weight and Thai origin, it is likely a mid-to-late 20th-century decorative cast. The surface shows a significant amount of white or greyish dust accumulation in the crevices, indicating long-term display without deep cleaning, but the underlying structure appears solid without visible cracks. The craftsmanship is typical of high-quality souvenir or home temple market pieces from Thailand, where lost-wax casting is a common manufacturing method. The patina is evenly applied, though some high points like the belly and nose show slight polishing from handling. This piece serves as both a religious icon and a decorative object representing prosperity and contentment.
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Estimated Value
$150 - $250
Basic Information
Category
Religious Art and Statuary
Appraised On
February 20, 2026
Estimated Value
$150 - $250
Additional Details Provided By Owner
User Provided Information
Heavy, made in Thailand
Item Description
This is a heavy, cast metal figurine depicting the Laughing Buddha, also known as Budai or Hotei, traditionally seated in a posture of relaxation. The item is reported to be made in Thailand and exhibits a dark, almost black, patinated bronze or brass finish with a matte texture. Physically, the piece features a rounded, jolly face with a wide grin, elongated earlobes signifying wisdom, and a prominent protuberant belly which is often rubbed for good luck. The carving or casting detail on the robes shows flowing drapery and textured folds. Given the context of its weight and Thai origin, it is likely a mid-to-late 20th-century decorative cast. The surface shows a significant amount of white or greyish dust accumulation in the crevices, indicating long-term display without deep cleaning, but the underlying structure appears solid without visible cracks. The craftsmanship is typical of high-quality souvenir or home temple market pieces from Thailand, where lost-wax casting is a common manufacturing method. The patina is evenly applied, though some high points like the belly and nose show slight polishing from handling. This piece serves as both a religious icon and a decorative object representing prosperity and contentment.
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