
Japanese Satsuma-Style Chidori and Floral Porcelain Planter
This is a medium-sized decorative ceramic planter, likely crafted in the Satsuma style. It features a flared rim and a tapered body, common for botanical vessels. The exterior is richly decorated with overglaze enamels and gilt accents against a pale lavender or light pink ground. The primary motif includes stylized birds, possibly golden pheasants or chidori, perched amidst a dense arrangement of traditional East Asian flora such as peonies, lotus blossoms, and bamboo. The color palette is vibrant, utilizing shades of powder blue, ochre yellow, magenta, and turquoise. Notable features include thick, raised enamel outlines (moriage technique) which add texture and depth to the imagery. The rim is finished with a thin gold band, though visible wear and thinning are present. A significant condition issue is visible on the upper left side of the vessel, where it appears a large break has been repaired with a gold-colored filler, reminiscent of the Japanese kintsugi technique, though it may be a standard epoxy repair. The base shows a ring of unglazed stoneware with some staining. Based on the saturation of the colors and the style of the hand-painting, this likely dates to the mid-to-late 20th century, serving as a high-quality export or decorative ware piece.
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Estimated Value
$150 - $250
Basic Information
Category
Antique and Vintage Ceramics / Home Decor
Appraised On
January 24, 2026
Estimated Value
$150 - $250
Item Description
This is a medium-sized decorative ceramic planter, likely crafted in the Satsuma style. It features a flared rim and a tapered body, common for botanical vessels. The exterior is richly decorated with overglaze enamels and gilt accents against a pale lavender or light pink ground. The primary motif includes stylized birds, possibly golden pheasants or chidori, perched amidst a dense arrangement of traditional East Asian flora such as peonies, lotus blossoms, and bamboo. The color palette is vibrant, utilizing shades of powder blue, ochre yellow, magenta, and turquoise. Notable features include thick, raised enamel outlines (moriage technique) which add texture and depth to the imagery. The rim is finished with a thin gold band, though visible wear and thinning are present. A significant condition issue is visible on the upper left side of the vessel, where it appears a large break has been repaired with a gold-colored filler, reminiscent of the Japanese kintsugi technique, though it may be a standard epoxy repair. The base shows a ring of unglazed stoneware with some staining. Based on the saturation of the colors and the style of the hand-painting, this likely dates to the mid-to-late 20th century, serving as a high-quality export or decorative ware piece.
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