
American Brilliant Period Style Cut Crystal Pedestal Vase
This is a tall, trumpet-shaped clear crystal pedestal vase featuring intricate wheel-cut designs characteristic of the American Brilliant Period (circa late 19th to early 20th century). The piece is constructed from high-lead glass, evidenced by its high refractive index and sharp, crisp edges. The upper body is adorned with a dense hobnail or diamond-cut pattern at the flared rim, which transitions into a central focal point featuring a large, matted (acid-etched or wheel-ground) floral medallion motif. Below the medallion, the vase exhibits deep vertical wedge cuts and elongated diamond patterns that taper toward a faceted hexagonal stem. The piece stands on a wide, circular star-cut or plain-centered foot for stability. The craftsmanship is of notable quality, with complex multi-layered cutting techniques used to create depth and light play. Visible condition appears good with no significant chips or cracks apparent from the front view, though light surface scuffing and base wear consistent with age may be present upon closer inspection. There are no obvious maker's marks visible in the photograph, but the style is reminiscent of major glass houses like Libbey, Hawkes, or Hoare.
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Estimated Value
$450 - $650
Basic Information
Category
Art Glass / Antiques
Appraised On
May 13, 2026
Estimated Value
$450 - $650
Item Description
This is a tall, trumpet-shaped clear crystal pedestal vase featuring intricate wheel-cut designs characteristic of the American Brilliant Period (circa late 19th to early 20th century). The piece is constructed from high-lead glass, evidenced by its high refractive index and sharp, crisp edges. The upper body is adorned with a dense hobnail or diamond-cut pattern at the flared rim, which transitions into a central focal point featuring a large, matted (acid-etched or wheel-ground) floral medallion motif. Below the medallion, the vase exhibits deep vertical wedge cuts and elongated diamond patterns that taper toward a faceted hexagonal stem. The piece stands on a wide, circular star-cut or plain-centered foot for stability. The craftsmanship is of notable quality, with complex multi-layered cutting techniques used to create depth and light play. Visible condition appears good with no significant chips or cracks apparent from the front view, though light surface scuffing and base wear consistent with age may be present upon closer inspection. There are no obvious maker's marks visible in the photograph, but the style is reminiscent of major glass houses like Libbey, Hawkes, or Hoare.
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