
Framed Botanical Print of Painted Lady Carnation
This item is a framed botanical illustration featuring the 'Painted Lady Carnation' (Dianthus caryophyllus), marked as 'Plate 26.' The print is presented upside down within its frame, displaying a large, multifaceted flower head in shades of pink and lavender with ruffled petals, a closed bud, and elongated grey-green leaves. The typography includes script text describing variations of the species. The artwork is housed in a prominent, ornate gilt-finished wooden frame characterized by deep reeding and several tiers of molding. The golden finish exhibits a slight antiqued patina with some visible distressing and minor nicks consistent with a vintage or contemporary reproduction style. The print is set behind glass, and the paper appears to be an off-white or cream-colored heavy stock, showing no major foxing or discoloration. Given the style of the engraving and the font face, this is likely a high-quality reproduction of an 18th or 19th-century scientific botanical plate, potentially from a collection like Philip Miller’s 'Figures of the most Beautiful, Useful and Uncommon Plants.' The craftsmanship of the frame is robust, suggesting it was intended as a decorative statement piece.
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Estimated Value
$150 - $250
Basic Information
Category
Art and Wall Decor
Appraised On
May 4, 2026
Estimated Value
$150 - $250
Item Description
This item is a framed botanical illustration featuring the 'Painted Lady Carnation' (Dianthus caryophyllus), marked as 'Plate 26.' The print is presented upside down within its frame, displaying a large, multifaceted flower head in shades of pink and lavender with ruffled petals, a closed bud, and elongated grey-green leaves. The typography includes script text describing variations of the species. The artwork is housed in a prominent, ornate gilt-finished wooden frame characterized by deep reeding and several tiers of molding. The golden finish exhibits a slight antiqued patina with some visible distressing and minor nicks consistent with a vintage or contemporary reproduction style. The print is set behind glass, and the paper appears to be an off-white or cream-colored heavy stock, showing no major foxing or discoloration. Given the style of the engraving and the font face, this is likely a high-quality reproduction of an 18th or 19th-century scientific botanical plate, potentially from a collection like Philip Miller’s 'Figures of the most Beautiful, Useful and Uncommon Plants.' The craftsmanship of the frame is robust, suggesting it was intended as a decorative statement piece.
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