Inuit-Style Ceramic Figurine of a Woman with an Owl
Decorative Arts and Collectibles

Inuit-Style Ceramic Figurine of a Woman with an Owl

This is a decorative ceramic figurine depicting a stylized Inuit person, likely a woman, holding an owl. The piece is constructed from fired clay with a multi-tonal glazed finish. The character wears a glossy, mauve-colored parka with a white textured ruff around the hood and bottom edge, suggesting fur. Her face is rendered in an unglazed or matte terracotta-toned clay, featuring simplified, slit-like eyes and a prominent nose. Cradled in her arms is a small, highly detailed owl with a white-speckled body and a dark facial mask, also finished in a glossy glaze. The figure stands on small, black-glazed feet. In terms of condition, there are visible surface scuffs on the face and forehead, along with some potential minor chipping or glaze irregularities along the textured white trim. The overall style is reminiscent of late 20th-century artisanal pottery, popular in North American giftware markets. The craftsmanship shows a mix of hand-tooling on the face and ruff, combined with slip-casting for the main body form. No maker's marks or signatures are visible from this primary angle.

Estimated Value

$45-85

Basic Information

Category

Decorative Arts and Collectibles

Appraised On

December 19, 2025

Estimated Value

$45-85

Item Description

This is a decorative ceramic figurine depicting a stylized Inuit person, likely a woman, holding an owl. The piece is constructed from fired clay with a multi-tonal glazed finish. The character wears a glossy, mauve-colored parka with a white textured ruff around the hood and bottom edge, suggesting fur. Her face is rendered in an unglazed or matte terracotta-toned clay, featuring simplified, slit-like eyes and a prominent nose. Cradled in her arms is a small, highly detailed owl with a white-speckled body and a dark facial mask, also finished in a glossy glaze. The figure stands on small, black-glazed feet. In terms of condition, there are visible surface scuffs on the face and forehead, along with some potential minor chipping or glaze irregularities along the textured white trim. The overall style is reminiscent of late 20th-century artisanal pottery, popular in North American giftware markets. The craftsmanship shows a mix of hand-tooling on the face and ruff, combined with slip-casting for the main body form. No maker's marks or signatures are visible from this primary angle.

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