Pair Vintage MCM Leather Sculptured Woman's Face Molded Mask Wall Art Hangings

This is a pair of vintage Mid-Century Modern (MCM) wall art hangings. Each piece features a sculpted, molded face surrounded by draped and pleated leather. One piece depicts a light brown face with its eyes closed, encompassed by tan and dark brown or black leather that swirls around it, suggesting hair or fabric. The second piece shows a dark brown or black face, eyes also closed, surrounded by tan and dark brown or black striped leather that is gathered and pleated around the face. The leather appears to be soft and pliable, allowing for intricate folds and forms. The sculpting of the faces is relatively simple yet expressive. The overall style is abstract and organic, typical of MCM design. There are no visible artist signatures or maker's marks in the provided image. The condition appears to be good with a noticeable patina on the leather consistent with age, particularly on the lighter-colored sections. No major damage such as tears or cracks is immediately evident. The pieces are designed to be hung on a wall, although the hanging mechanism is not visible. The craftsmanship appears to be of good quality, with attention to detail in the molding of the faces and the arrangement of the leather.

Upon visual examination of the provided images, this pair of Mid-Century Modern leather-faced wall hangings appears to be in good vintage condition. The leather shows a desirable patina consistent with its age, without any major tears or structural damage visible. The design is characteristic of the MCM era's fascination with organic forms and artisanal materials. Based on style and craftsmanship, these pieces are likely studio-produced works from the 1960s or 1970s. The market for unique MCM decorative arts is currently strong. Similar studio leathercraft and wall sculptures from this period, particularly those by known artists like Don and Eraida Toulin, can command high prices. However, without a signature or maker's mark, these pieces are valued as high-quality anonymous works. Their value is influenced by their unique artistic appeal, the fact they are a pair, and the good preserved condition. A key factor limiting a definitive valuation is the inability to authenticate the pieces from images alone. An in-person examination would be required to inspect for hidden signatures, analyze the specific type and quality of leather, assess the underlying structure, and confirm the exact condition. Without provenance or artist attribution, the value remains speculative but strong based on aesthetic merit.