
Traditional Chinese Ink and Wash Painting Print of Bamboo and Flowers
This item is a large-format print of a traditional Chinese ink and wash (Shuimo) painting, presented in a portrait orientation within a book or portfolio. The artwork features a complex composition of vertical rock formations rendered in varying shades of gray and blue-toned washes. In the foreground and middle ground, thickets of dark black ink bamboo leaves contrast sharply with delicate orange lilies or similar floral elements. The brushwork reflects a 'xieyi' (freehand) style, characterized by spontaneous, expressive strokes and wet-ink techniques. Two distinct red seal stamps (cuan) are visible: one in the upper right corner and another in the lower center, which typically denote the artist's signature or studio. The paper shows a natural cream-colored patina consistent with vintage printed paper. There are visible condition issues including slight curling at the edges, minor foxing on the surrounding margins, and a vertical crease or shadow cast across the lower half of the page from the lighting or binding. The printing quality appears high, capturing the subtle bleed and texture of the original ink on rice paper. It likely dates from the mid-to-late 20th century as part of a high-quality art retrospective or publication.
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Estimated Value
$150 - $300
Basic Information
Category
Asian Art / Prints and Works on Paper
Appraised On
March 15, 2026
Estimated Value
$150 - $300
Item Description
This item is a large-format print of a traditional Chinese ink and wash (Shuimo) painting, presented in a portrait orientation within a book or portfolio. The artwork features a complex composition of vertical rock formations rendered in varying shades of gray and blue-toned washes. In the foreground and middle ground, thickets of dark black ink bamboo leaves contrast sharply with delicate orange lilies or similar floral elements. The brushwork reflects a 'xieyi' (freehand) style, characterized by spontaneous, expressive strokes and wet-ink techniques. Two distinct red seal stamps (cuan) are visible: one in the upper right corner and another in the lower center, which typically denote the artist's signature or studio. The paper shows a natural cream-colored patina consistent with vintage printed paper. There are visible condition issues including slight curling at the edges, minor foxing on the surrounding margins, and a vertical crease or shadow cast across the lower half of the page from the lighting or binding. The printing quality appears high, capturing the subtle bleed and texture of the original ink on rice paper. It likely dates from the mid-to-late 20th century as part of a high-quality art retrospective or publication.
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