
Marka African Tribal Mask with Brass Repoussé
This is a hand-carved wooden African mask, attributed to the Marka (Winiama) people of Mali. The mask features a characteristic elongated face with a prominent, slender nose, narrow almond-shaped eye slits, and full, stylized lips. A defining feature is the application of thin brass or copper alloy sheets (repoussé) over the wooden core, specifically decorating the forehead, eyes, nose, and mouth areas. These metal plates are secured with small tacks and feature intricate punched or hammered geometric patterns. The wood has a dark, aged patina with visible surface crackling and minor abrasions consistent with mid-20th-century craftsmanship. The forehead is further embellished with incised leaf or flame-like motifs. The top of the mask displays a notched, geometric perimeter common in Sudanese-style tribal art. Condition-wise, the mask shows a localized 'scaly' texture on the metal, suggesting oxidation or a weathered finish, and there is a fine vertical crack running through the center of the forehead wood. This piece exemplifies the synthesis of West African sculpture and metalwork, designed for ritual use or as cultural decorative art.
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Estimated Value
$350 - $600
Basic Information
Category
African Tribal Art & Artifacts
Appraised On
December 21, 2025
Estimated Value
$350 - $600
Item Description
This is a hand-carved wooden African mask, attributed to the Marka (Winiama) people of Mali. The mask features a characteristic elongated face with a prominent, slender nose, narrow almond-shaped eye slits, and full, stylized lips. A defining feature is the application of thin brass or copper alloy sheets (repoussé) over the wooden core, specifically decorating the forehead, eyes, nose, and mouth areas. These metal plates are secured with small tacks and feature intricate punched or hammered geometric patterns. The wood has a dark, aged patina with visible surface crackling and minor abrasions consistent with mid-20th-century craftsmanship. The forehead is further embellished with incised leaf or flame-like motifs. The top of the mask displays a notched, geometric perimeter common in Sudanese-style tribal art. Condition-wise, the mask shows a localized 'scaly' texture on the metal, suggesting oxidation or a weathered finish, and there is a fine vertical crack running through the center of the forehead wood. This piece exemplifies the synthesis of West African sculpture and metalwork, designed for ritual use or as cultural decorative art.
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