
Persian Enameled Copper Bowl (Minakari Art)
This is a small decorative Persian dish featuring traditional Minakari (enameling) craftsmanship. The item is likely constructed from a hand-hammered copper base, which has been coated with a vibrant cobalt blue enamel ground. The center of the piece displays an intricate, symmetrical mandala-like floral pattern rendered in white 'aslimi' motifs. The fine line-work suggests a steady hand and high-quality artistic execution. Surrounding the central motif is a wide gilded border featuring repeating heart-shaped or fan-like palmette patterns in a bronze or gold tone, interspersed with small white floral accents. The rim is finished with a thin gold edge. Its style sits firmly within the traditional Persian handicrafts of Isfahan, likely dating from the mid-to-late 20th century or the contemporary era. Condition-wise, the piece appears well-preserved with high gloss and intense color saturation. There are no immediate signs of enamel chipping or copper oxidation (pitting), though minor surface micro-scratches from handling may be present. The gilding on the border retains a strong metallic sheen, indicating it has not been over-polished. Similar pieces are often signed on the reverse by the individual artist, though the mark is not visible in this top-down perspective.
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Estimated Value
$150 - $250
Basic Information
Category
Cultural Art / Decorative Persian Metalwork
Appraised On
April 23, 2026
Estimated Value
$150 - $250
Item Description
This is a small decorative Persian dish featuring traditional Minakari (enameling) craftsmanship. The item is likely constructed from a hand-hammered copper base, which has been coated with a vibrant cobalt blue enamel ground. The center of the piece displays an intricate, symmetrical mandala-like floral pattern rendered in white 'aslimi' motifs. The fine line-work suggests a steady hand and high-quality artistic execution. Surrounding the central motif is a wide gilded border featuring repeating heart-shaped or fan-like palmette patterns in a bronze or gold tone, interspersed with small white floral accents. The rim is finished with a thin gold edge. Its style sits firmly within the traditional Persian handicrafts of Isfahan, likely dating from the mid-to-late 20th century or the contemporary era. Condition-wise, the piece appears well-preserved with high gloss and intense color saturation. There are no immediate signs of enamel chipping or copper oxidation (pitting), though minor surface micro-scratches from handling may be present. The gilding on the border retains a strong metallic sheen, indicating it has not been over-polished. Similar pieces are often signed on the reverse by the individual artist, though the mark is not visible in this top-down perspective.
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