
Framed Ink and Watercolor Painting of Chrysanthemums
This item is a framed ink and watercolor painting depicting a branch of chrysanthemums. The artwork features a light, possibly off-white or cream-colored paper or silk background, which exhibits some yellowing or discoloration consistent with age, particularly visible as lighter vertical lines and subtle mottling throughout. The flowers are rendered with delicate yellow-orange petals and darker centers, possibly in shades of brown or deep orange, showing a subtle watercolor wash effect. The leaves and stems are executed with black or dark grey ink, characteristic of sumi-e or traditional East Asian brush painting techniques, showing varying pressure and ink saturation. There appears to be a notable artistic style involving minimalist strokes for the foliage, suggesting movement and natural form. In the upper left quadrant of the painting, there are what appear to be East Asian characters written vertically, accompanied by two rectangular red seals, commonly referred to as 'chop marks' or 'artist's seals'. These seals typically denote the artist's name, studio, or a poetic phrase, and are essential for artist identification and authentication. The painting is housed within a simple, narrow wooden frame finished in a bright, glossy red color. The frame shows some minor signs of wear, such as small scuffs or chips, particularly visible at the corners, indicating handling and age. The painting is protected by a clear pane of glass, which reflects some ambient light. A small nail or hook is visible at the top, suggesting it is ready for wall display. The overall aesthetic suggests an East Asian origin, likely from the mid to late 20th century, given the style of execution and the visible signs of aging on the paper and frame.
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Estimated Value
$200-400
Basic Information
Category
Art - Painting
Appraised On
December 14, 2025
Estimated Value
$200-400
Item Description
This item is a framed ink and watercolor painting depicting a branch of chrysanthemums. The artwork features a light, possibly off-white or cream-colored paper or silk background, which exhibits some yellowing or discoloration consistent with age, particularly visible as lighter vertical lines and subtle mottling throughout. The flowers are rendered with delicate yellow-orange petals and darker centers, possibly in shades of brown or deep orange, showing a subtle watercolor wash effect. The leaves and stems are executed with black or dark grey ink, characteristic of sumi-e or traditional East Asian brush painting techniques, showing varying pressure and ink saturation. There appears to be a notable artistic style involving minimalist strokes for the foliage, suggesting movement and natural form. In the upper left quadrant of the painting, there are what appear to be East Asian characters written vertically, accompanied by two rectangular red seals, commonly referred to as 'chop marks' or 'artist's seals'. These seals typically denote the artist's name, studio, or a poetic phrase, and are essential for artist identification and authentication. The painting is housed within a simple, narrow wooden frame finished in a bright, glossy red color. The frame shows some minor signs of wear, such as small scuffs or chips, particularly visible at the corners, indicating handling and age. The painting is protected by a clear pane of glass, which reflects some ambient light. A small nail or hook is visible at the top, suggesting it is ready for wall display. The overall aesthetic suggests an East Asian origin, likely from the mid to late 20th century, given the style of execution and the visible signs of aging on the paper and frame.
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