AI identification & appraisal estimate

S.H. Chun Signed Monkey Pod Wood Lidded Bowl

This name is the AI's identification of the item — it may be incorrect.

Submitted photo of S.H. Chun Signed Monkey Pod Wood Lidded Bowl
Photo submitted by the user — not generated by AI

User's notes

this is a signed monkey pod bowl with lid can you tell who signed it

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$125 - $225

AI estimate as of March 13, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This is a hand-turned lidded bowl crafted from Monkey Pod wood, a tropical hardwood known for its rich contrasting grain patterns. This specific piece features an incised signature on the base that appears to read 'S.H. Chun' or 'S.H. Choon,' followed by 'M-POD' (shorthand for Monkey Pod). The wood displays a warm range of colors from golden amber to deep chocolate browns, characteristic of matured wood from the Samanea saman tree. The construction is lathe-turned, evidencing smooth curves and a refined profile typical of mid-century to late 20th-century Hawaiian or Southeast Asian woodcraft. The surface exhibits several fine hairline cracks and drying checks across the grain, which are common in aged tropical hardwoods due to moisture fluctuation. There are also visible surface scratches and minor abrasions throughout the finish. The incised markings are deeply cut but show some age-related smoothing. The craftsmanship suggests a professional studio artist rather than mass-production, likely dating from the 1960s to 1980s. The overall patina is semi-matte, suggesting the original oil or wax finish has worn down over time.

AI Appraisal Report

I have carefully examined the submitted images of the hand-turned Monkey Pod lidded bowl signed 'S.H. Chun.' Authenticity appears consistent with studio turnings from the mid-to-late 20th century, specifically the 1960s-1970s era when Hawaiian and Southeast Asian woodcraft saw a significant export market. The signature is typical of individual studio work rather than industrial production. However, the condition significantly impacts the market value; while the grain movement is aesthetically pleasing, the visible hairline cracks and drying checks indicate a loss of structural integrity due to environmental fluctuations. These defects, along with the worn patina, place this item in the 'fair' collector category rather than 'pristine.' Market demand for Monkey Pod wood is stable but currently lacks the high-end premium associated with Koa or Milo woods. Comparables for signed, non-pedigreed Monkey Pod bowls of this size and condition typically realize prices between $100 and $250 at auction or specialized vintage boutiques. The signature 'S.H. Chun' adds modest provenance, though Chun is not currently ranked among the 'master-tier' woodturners (like Moulthrop or Stocksdale) whose works command four-figure sums. Please note: This appraisal is based solely on digital imagery. A definitive valuation would require an in-person inspection to verify wood density, check the depth of the fissures, and ensure the signature is not a later addition. Professional authentication would be bolstered by original receipts or provenance linking the piece to a specific gallery or Hawaiian studio exhibition from the mid-century period.

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