
Framed Print of 'Grace' (also known as 'Man at Prayer' or 'The Thanksgiving') by Eric Enstrom
This is a framed monochrome print of the iconic photographic portrait titled 'Grace,' originally captured by photographer Eric Enstrom in 1918. The image depicts an elderly man with a long white beard, Charles Wilden, sitting with folded hands over an open book (implied to be a Bible) in a gesture of prayer or thanksgiving. This specific version is rendered in a sepia-toned or greyscale palette, characteristic of mid-20th-century reproductions. The print is housed behind glass in a modern, slim, grey-washed wooden or composite frame with a triple-matte border consisting of white and grey layers. The print surface shows noticeable rippling or 'cockling,' which suggests exposure to humidity or improper mounting. There is a discernable signature and date in the lower right corner, likely identifying the printer or a later copyright associated with the Enstrom family (often the Enstrom or Haugsrud versions). The lighting in the composition is highly directional, creating a dramatic chiaroscuro effect that highlights the subject's face and hands against a dark, textured background. The overall condition appears fair to good for its age, with the primary flaw being the unevenness of the paper support within the frame. This image saw immense popularity starting in the 1940s and remains a staple of American religious folk art.
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Estimated Value
$45 - $85
Basic Information
Category
Wall Art & Photography Prints
Appraised On
May 12, 2026
Estimated Value
$45 - $85
Item Description
This is a framed monochrome print of the iconic photographic portrait titled 'Grace,' originally captured by photographer Eric Enstrom in 1918. The image depicts an elderly man with a long white beard, Charles Wilden, sitting with folded hands over an open book (implied to be a Bible) in a gesture of prayer or thanksgiving. This specific version is rendered in a sepia-toned or greyscale palette, characteristic of mid-20th-century reproductions. The print is housed behind glass in a modern, slim, grey-washed wooden or composite frame with a triple-matte border consisting of white and grey layers. The print surface shows noticeable rippling or 'cockling,' which suggests exposure to humidity or improper mounting. There is a discernable signature and date in the lower right corner, likely identifying the printer or a later copyright associated with the Enstrom family (often the Enstrom or Haugsrud versions). The lighting in the composition is highly directional, creating a dramatic chiaroscuro effect that highlights the subject's face and hands against a dark, textured background. The overall condition appears fair to good for its age, with the primary flaw being the unevenness of the paper support within the frame. This image saw immense popularity starting in the 1940s and remains a staple of American religious folk art.
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