
Abstract Lithograph by Gustave Singier
This item is an original color lithograph by the Belgian-born French artist Gustave Singier (1909–1984), a prominent figure of the New School of Paris (Nouvelle École de Paris). The artwork features the artist's signature lyrical abstraction Style, characterized by organic, rhythmic shapes and a vibrant palette of ochre, earthy oranges, greens, and charcoal grays. The composition employs overlapping translucent layers typical of high-quality lithographic printing techniques from the mid-20th century, likely produced between 1950 and 1970. The piece appears to be executed on heavy wove paper, common for limited edition prints of this era. Visible in the lower margin is what appears to be a handwritten signature and possibly an edition number, though the low resolution prevents a definitive reading of the numerals. The work is professionally housed in a dark wooden or metal frame with a substantial white mat board. Regarding condition, the paper maintains good color saturation with no immediate signs of severe light-fading or foxing, although some slight tonal shifts at the edges of the mat suggest a natural aging process. The craftsmanship reflects the sophisticated Parisian printmaking tradition, where Singier collaborated with renowned ateliers such as Mourlot. The fluid, calligraphic lines integrated with geometric underpinnings showcase Singier's mastery of the transition from representation to pure abstraction.
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Estimated Value
$450 - $750
Basic Information
Category
Fine Art Prints
Appraised On
February 14, 2026
Estimated Value
$450 - $750
Additional Details Provided By Owner
User Provided Information
lithographie de Singier
Item Description
This item is an original color lithograph by the Belgian-born French artist Gustave Singier (1909–1984), a prominent figure of the New School of Paris (Nouvelle École de Paris). The artwork features the artist's signature lyrical abstraction Style, characterized by organic, rhythmic shapes and a vibrant palette of ochre, earthy oranges, greens, and charcoal grays. The composition employs overlapping translucent layers typical of high-quality lithographic printing techniques from the mid-20th century, likely produced between 1950 and 1970. The piece appears to be executed on heavy wove paper, common for limited edition prints of this era. Visible in the lower margin is what appears to be a handwritten signature and possibly an edition number, though the low resolution prevents a definitive reading of the numerals. The work is professionally housed in a dark wooden or metal frame with a substantial white mat board. Regarding condition, the paper maintains good color saturation with no immediate signs of severe light-fading or foxing, although some slight tonal shifts at the edges of the mat suggest a natural aging process. The craftsmanship reflects the sophisticated Parisian printmaking tradition, where Singier collaborated with renowned ateliers such as Mourlot. The fluid, calligraphic lines integrated with geometric underpinnings showcase Singier's mastery of the transition from representation to pure abstraction.
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