
Chinese Ink Wash Printing/Lithograph of Lotus Pond
This appears to be a high-quality reproduction, likely a lithograph or a page from a high-end art book, of a Chinese ink wash painting (shuimohua). The composition depicts a lotus pond, utilizing various 'ink play' techniques. The foreground features tall, vertical reeds or grass stalks executed in dark, saturated black ink, while the lotus flowers themselves are rendered with delicate fine-line outlines (baimiao style) to suggest lightness. Large, atmospheric washes of varying gray tones represent the broad lotus leaves and the water surface. The piece includes vertical calligraphic inscriptions in the upper right corner and a smaller red artist seal (hankuan) in the lower left, alongside printed numbering and titles consistent with a catalog or special edition print. The artwork is printed on an off-white, matte paper stock of substantial weight, which shows some minor curling at the left edge and evidence of handle wear. The style is reminiscent of 20th-century masters like Zhang Daqian or Qi Baishi who modernized traditional ink techniques. The condition appears fair with visible foxing starting to develop and a large soft shadow across the lower right, suggesting it is currently unframed and part of a larger folia or collection.
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Estimated Value
$150-$300
Basic Information
Category
Asian Art Prints & Works on Paper
Appraised On
March 15, 2026
Estimated Value
$150-$300
Item Description
This appears to be a high-quality reproduction, likely a lithograph or a page from a high-end art book, of a Chinese ink wash painting (shuimohua). The composition depicts a lotus pond, utilizing various 'ink play' techniques. The foreground features tall, vertical reeds or grass stalks executed in dark, saturated black ink, while the lotus flowers themselves are rendered with delicate fine-line outlines (baimiao style) to suggest lightness. Large, atmospheric washes of varying gray tones represent the broad lotus leaves and the water surface. The piece includes vertical calligraphic inscriptions in the upper right corner and a smaller red artist seal (hankuan) in the lower left, alongside printed numbering and titles consistent with a catalog or special edition print. The artwork is printed on an off-white, matte paper stock of substantial weight, which shows some minor curling at the left edge and evidence of handle wear. The style is reminiscent of 20th-century masters like Zhang Daqian or Qi Baishi who modernized traditional ink techniques. The condition appears fair with visible foxing starting to develop and a large soft shadow across the lower right, suggesting it is currently unframed and part of a larger folia or collection.
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